News: Tagged as Yanone

FF Antithesis Totebags

As part of the release of Yanone's FF Antithesis and its movie premier at this years TYPO Berlin 2014, we created a limited edition Antithesis tote bag. Using Pantone 811 the 100% cotton bag features a design based on the design principles by Yanone himself.

The bag will only be available at TYPO Berlin 2014 so be sure to keep an eye out for one.

Read more about FF Antithesis on Behance

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FF Antithesis — Further Showings

Following the release of Yanone's FF Antithesis we have a further selection of creative showings of the typeface and its three family members, Regular, Italic and Bold.FF Antithesis

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FF Antithesis Italic with contextual alternates switched on

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About Yanone

Yanone started to design type in his first university years at the Bauhaus-University in Weimar, leading to the release of his first typeface Kaffeesatz in 2004. Internships took him to SYNTAX in Amman, Jordan andFontShop International in Berlin and he finished university with his Arabic/Latin typeface Amman for the rebranding of Jordan’s capital which was released in 2009 by the FontFont library.

Yanone

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Purchase FF Antithesis


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New Release: FF 66

We can gleefully declare our long awaited release is finally here! And what an interesting one it has turned out to be.

We welcome newcomer FF Antithesis from young German designer Yanone, an incredible extension for Łukasz Dziedzics FF Good and a reorganisation of Jürgen Hubers FF Ginger Flamboyant.

New Design: FF Antithesis

FF Antithesis

Based on the design principle of three poles, FF Antithesis is designed around the tension and dialogue between each of these. There are three members of the display family: Regular, Italic and Bold of which all relate to each other in a very high visual contrast.

The Regular member is a rather slabby serif, the Italic a connected script and the Bold a fat sans serif. Each are designed to work with each of the other two, in order to create design with high visual tension. Designed with a less is more attitude in terms of family size, Yanone has also created a contemporary dance art and music based film to accompany the typeface. Set to be launched this spring at TYPO San Francisco and TYPO Berlin, the purpose of the ten minute film is to present the typeface as more than just a typeface but as an interdisciplinary work of art.

A typeface perfectly apt for creative purposes and as part of statement pieces it looks set to become the new cool font of choice.

New Extension: FF Good

FF Good

The size of our next announcement is a first for us here at FontFont.

FF Good, the upright, straight-sided sans serif designed by Warsaw based designer Łukasz Dziedzic, originally entered the library as a typeface with nine styles. However following an overhaul in 2010 the typeface jumped to 30 styles with an additional 30 styles for the titling version FF Good Headline.

Now within the FF 66 release the family has received yet another revamp making FF Good and FF Good Headline our biggest typeface family ever with a total of 196 styles between them! The newly extended family now includes seven weights ranging from Light to Ultra, and seven widths from Compressed to Extended for both FF Good and FF Good Headline, all with matching italics and small caps for both roman and italic styles. 

Due to its subtle weight and width graduation, it is the perfect companion for interface, editorial, and web designers. This allows the individual to pick the style best suited to their layout.

For the whole of April all of our complete FF Good and FF Good Headline family packages (Collections and Complete Suites) will be reduced by 30%.

And for a extra dose of good news we can also confirm that as of the latest release the new style FF Good News will be available at the incredible price of 5 EUR/GBP/AUS/USD. 

Reorganisation: FF Ginger Flamboyant

FF Ginger Flamboyant

A reorganisation of Jürgen Hubers FF Ginger has resulted in FF Ginger Flamboyant now being available as a stand alone typeface instead of an OpenType layout feature as before.

FF Ginger Flamboyant consists of Light and Regular, which add a spark to individual letters and initial capitals, vamping up the plainest of texts.

FF Ginger is an alternative to the widely-used Crillee and Serpentine faces, which are especially popular for their bold italic variants. They express speed and dynamism and are popular choices for internet providers, couriers, service bureaus, etc. FF Gingers Light weight and matching icons extend its typographic scope.

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ÜberFontFonts

After three jam-packed months that included another release, a whole host of interviews and numerous in-use cases; the time has come again to announce our ÜberFontFonts (the rising stars of our library) for the previous quarter.

ÜberFontFonts Q3 2012

Our top three ÜberFontFonts are:

FF Strada by Albert Pinggera is a curvaceous and humane sans serif full of versatility. With three sub-families and a number of updates and developments, it is one of our bestsellers and an award winner.

FF Amman, by Yanone, is a bi-script family that supports both Arabic and Latin script. It is one of the largest Arabic–Latin typeface families designed to date, and one of the very few where both the Arabic and the Latin characters were drawn from scratch by the same designer at one time.

FF Pitu is one of our most swashy serifs, with pronounced stroke modulation and blade-shaped stroke endings. Its calligraphic loveliness makes it a beautiful display face. Part of our Collection tier, a selection of cost effective typographical treasures offered as full-families with OpenType feature support, FF Pitu Pro is only €59 for three weights.

Catch up on our ÜberFontFonts from the first and second quarter of 2012.

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New release: FF53

BERLIN, GERMANY, June 2010 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.

The new FontFonts

FF Amman came into existence as Yanone’s graduation project at Bauhaus University in Weimar, Germany. In late 2008, Yanone set out to Amman, the capital of Jordan, following an invitation by Ahmad Humeid from the local design and branding office Syntax. They were to re-brand the capital’s municipality in preparation of Amman’s centennial celebrations.

FF Amman Sans Pro

First and main part of Yanone’s diptychon »Amman The FFilm« about the making of the FF Amman typeface for Jordan’s capital on occasion of its centennial celebrations in 2009. 

Never officially commissioned as a custom typeface, it was rather a birthday present from Syntax and Yanone for Amman, and the perfect university graduation project for Yanone. In the end, the typeface with several typographic novelties has been widely used for all kinds of municipal services in Amman. The family consists of seven sans and four serif weights, each with their true Italics and both Latin and Arabic character sets. It is one of the largest bilingual families ever made, one of the few designed bilingually from scratch and the first containing true Arabic Italics.

FF DIN Round Pro

FF DIN Round — This welcome addition to FontFont’s most popular family brings a softness to FF DIN’s simplicity and industrial sterility. FF DIN Round is more than a “search-and-replace” rounded version of its predecessor. Albert-Jan Pool and his team redrew each letterform to maintain the structure of the original. This ensures FF DIN and FF DIN Round will work well together in logos, slogans, price tags, etc. as compatible parts of advertising campaigns and corporate identities.

FF DIN Round is not only a good companion to FF DIN, its smooth and friendly curves make it work on its own for branding strategies for family cars, bikes, household appliances, sportswear, shoes, or medical products. It’s also very legible on screen.

FF Suhmo Pro

FF Suhmo is inspired by classic Egyptian and typewriter fonts such as Courier and American Typewriter, which feature headline and text use. This impressive duality was Alex Rütten’s guideline for the concept of FF Suhmo. At the same time, many formal details were derived from the typical neon-lettering you can find on aged Italian restaurants in Germany. FF Suhmo has short ascenders and descenders and a generous x-height, making it a good choice for editorial design. It combines simplicity and functionality with playfulness, offering interesting details such as loops and swashes and a slight stroke contrast. Its varied details are unobtrusive in text sizes while developing character and sparkle in headlines.

FF Suhmo’s extensive character set includes numerous special characters and ligatures, several figure sets and small caps throughout all styles. The family consists of 4 weights: Light, Regular, Bold and Black, each with an Italic. The weights were staggered to complement each other within a layout, the Black corresponding to the Regular and the Light corresponding to the Bold weight, allowing words or phrases to be clearly stressed within a text. The Italics are lighter than the Roman and have a relatively slight angle of slope. The forms are derived from a manual writing process and often cross the base-line or the x-height.

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New release: FF49

BERLIN, GERMANY, July 2009 - FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.

The new FontFonts

FF Dagny Pro

FF Dagny — In 2002, the Swedish newspaper Dagens Nyheter (DN) changed from broadsheet to tabloid – a change that came along with a major impact on DN’s journalism, editing and design. Pangea design’s Creative Director, Örjan Nordling, had already worked with DN as a design consultant in 1996. In 2000, DN had been redesigned under the leadership of Dr. Mario Garcia. For the new design Nordling had created DN Bodoni exclusively for Dagens Nyheter. The change to tabloid called for a more compact setting and Pangea design was commissioned to produce a matching sans serif for Sweden’s largest daily newspaper. This became DN Grotesk which now has evolved into FF Dagny.

For the FontFont library Nordling and Göran Söderström made several adjustments, the contrast in stroke thickness was reduced for better legibility in small sizes and characters were redesigned together with the FontFont Type Department. The family now includes a range of consistent weights from Thin to Black making it perfect for use in body text and all kind of other applications. The name Dagny is an abbreviation of Dagens Nyheter as well as an old nordic female name meaning “new day”.

FF Duper Pro

FF DuperMartin Wenzel’s original idea from 1998 evolved into a kind of informal FF Profile in the end. The new FF Duper has a home-made touch, but provides of course all typographic qualities of a contemporary OpenType font. FF Duper consists of Regular, Bold, Regular Italic and Bold Italic weights, supports more than 60 languages, has several figure sets and fractions and includes alternative forms for a, g and y as well as a set of arrows, bullets and ornaments. And there is a special extra: All weights contain three versions of each glyph and via an OpenType feature the three alternatives are used in succession, treating vowels and consonents separately and recognizing even spaces between words for a lively and hand-made appearance of the typed text. Preliminary versions of the typeface have already been successful in education and school projects, but there are surely more areas where FF Duper perfectly fits in.

FF Kava Pro

FF Kava started out as a free typeface called Kaffeesatz, published by Yanone in 2004 during the early stages of his type designing career. The bold weight was reminiscent of coffeehouse grotesk typefaces of the 1920s, while the lighter versions were supposed to bridge the gap to contemporary type design.

The current FF Kava family is a carefully revised, more rounded version of the old Kaffeesatz fonts. A black weight has been added as well as small caps and more figure sets to form now an attractive modern and soft sans serif type family.

FF Unit Slab Pro 1

FF Unit® Slab: When Kris Sowersby, Christian Schwartz and Erik Spiekermann were designing the parameters for FF Meta Serif, they spent quite some time on details like the thickness and the shape of the serifs – should the face veer towards a slab with blocky, heavy serifs or should it be more of a traditional book face? In the end, they went for a “normal” serif face with fairly solid serifs, but some thick-thin contrast and counters that aren’t totally parallel to the outside shape of the letters. Stronger and thus more useful than Times New Roman while not as constructed as Rockwell.

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