News: Tagged as Web FontFont
BERLIN, GERMANY, October 2011 – FontShop International announced the latest additions to its award-winning FontFont® typeface library.
Redesign and new styles
FF Karbid: Revised & extended
FF Karbid Slab in use, Book design Janet Cardiff & George Bures Miller ‘The Murder of Crows’ (Hatje Cantz, 2011)
Originally published in only three text weights and one display version in 1999, the original FF Karbid is an interpretation of vintage German storefront lettering from the early 1900s. Verena Gerlach collected and documented a lot of these alphabets in the Berlin quarters Prenzlauer Berg and Mitte. Although they have now almost completely disappeared due to the renovation works in the unified German capital, the spirit of those characteristic letters lives on in the concept of FF Karbid.
FF Karbid now offers a balanced range of five weights—from Light to Black—each with matching obliques. All versions of FF Karbid offer numerous alternate characters that alter their appearance and mood. These are based on the rather eccentric forms of Art Deco lettering—low- and high-waisted capitals; round versions of A, C, E; single-storey a & g, and many more. The fonts include numerous figure sets, arrows and bullets, and offer Latin Extended language support.
The new FF Karbid is a harmonized redesign of the original typeface. Rounder and less narrow letters lend the shapes more space and balance. Although the contrast was reduced to obtain a harmonious monolinear typeface (without losing its liveliness) it was increased in the bolder weights to improve legibility and achieve a certain elegance. FF Karbid Display is the most obvious spin-off of the original FF Karbid. More than merely having been assimilated, the letter forms were revised according to the new concept. The FF Karbid family has been augmented with two entirely new sub-families. The first one, the Text version, is intended for body copy in small sizes. The eccentric, serif-like swashes in select letters have been abandoned, while the friendly, lively forms of l, y, z and Z show the close relationship to the FF Karbid family. The other new sub-family is a Slab version. It has a sober, journalistic character, inspired by the typography in magazines of the 1920s (see Memphis, etc.). The strong serifs lend the typeface footing and an air of reliability. To improve legibility and balance the contrast was increased in comparison to the sans serif version.
Updated and extended FontFonts
Language extensions continue as well: FF Unit Pro speaks Cyrillic and Greek now.
FF Nexus Mix, FF Nexus Serif, FF Nexus Sans, FF Nexus Typewriter
Ten years after his iconic FF Scala, Martin Majoor expanded his idea of “two typefaces; one form principle” into “three typefaces; one form principle.” The result: a new family of typefaces. FF Nexus borrows some of its structure from FF Scala, but adds the slab-like FF Nexus Mix and monospaced FF Nexus Typewriter to the set. The four coordinated families form a powerhouse type system, combining elegance with versatility. Web and office versions are now available.
FF Signa Serif
FF Signa is a typically Danish typeface by Ole Søndergaard, rooted in architectural lettering rather than book typography. Concise letterforms and a minimum of detail produce clear and harmonious word images. Designed for the Danish Design Center, it is used there for printed material and exhibitions as well as the internal signage system. There are Condensed, Extended and Correspondence versions, and in 2005 FF Signa Serif joined the family. Now the web and office versions are also available for FF Signa Serif.
FF Unit was designed by Erik Spiekermann and produced by Christian Schwartz. FF Unit is the grown-up, no-nonsense sister of Spiekermann’s famous FF Meta. With FF Unit, puppy fat is off, some curves are gone and the shapes are tighter. While FF Meta has always been a little out-of-line and not exactly an over-engineered typeface, FF Unit is less outspoken and more disciplined. It is—like FF Meta—very suitable for use quite small and large, but FF Unit lacks some of the diagonal strokes and curves that give FF Meta its slight informality. However, FF Unit is not cold or uptight, just cool: no redundant ornamentation, just a lot of character. The tighter shapes make it suitable for big headlines set tight. Smaller sizes benefit from the increased contrast between vertical and horizontal strokes and open spacing. Thin and Light perform well set large, displaying the characters to their advantage. There is a great difference in weight between the Thin and Ultra, providing a good range of weights for contrasting combinations. Alternative characters (a, g, i, j, l, U, M) make for interesting headlines. The Small Caps are a bit larger than normal, making them suitable for abbreviations and acronyms. The many weights include old style, regular, and tabular figures. FF Unit Pro is now available with Cyrillic and Greek character sets. The entire FF Unit super family consists of FF Unit, FF Unit Slab, and FF Unit Rounded.permalink
FontFonter.com is an innovative web tool by FontFont that lets you temporarily replace a site’s fonts with Web FontFonts. With the new FontFonter Bookmarklet you can try Web FontFonts on any website! Installing it is easy: simply drag the bookmarklet on FontFonter.com to your bookmarks toolbar.
Here are the latest Web FontFonts to be added to FontFonter.com:
- FF Sero
- FF Tundra
- FF Nuvo Mono
- FF Info Text
- FF Info Correspondence
- FF Info Display
- FF Profile
- FF Utility
- FF Zwo Correspondence
The webfont service delivers fonts from a global network of servers to every browser that supports @font-face. This allows the compatibility of Web FontFonts to be extended even to browsers that do not currently support WOFF and EOT. If you license any Web FontFont, you can optionally host them on Typekit with any of their plans (including their free plan). If you are already a Typekit user, that means absolutely no additional cost to you.read more
FontFont Subsetter is a tool for optimizing and customizing Web FontFonts. The free service — found at www.subsetter.com— lets you significantly reduce the file size of your Web FontFonts in three easy steps to reduce bandwidth costs and make your websites faster. Our latest Web FontFont improvements allow you to use Subsetter to choose between proportional oldstyle figures and tabular lining figures. This tutorial explains how.read more
FontFont designers have been recipients of prestigious type design awards, but few can claim to have been even before their creations were officially published. Ludwig Übele’s FF Tundra — a recipient of a Certificate of Excellence in Type Design at this year’s TDC2 competition — is now available for licensing. Other new releases are Jörg Hemker’s versatile sans FF Sero; the informal cousin of the popular FF Mister K; a monospaced variant for FF Nuvo; and stencil versions for the Danish sans/serif type system FF Signa.
The new designs
FF Sero – Jörg Hemker’s versatile sans FF Sero combines the striking forms of an American grotesque with the legibility of a humanist sans serif typeface. It has open contours, a distinct x-height and a homogeneous grayscale value. During seven years of development the classic letter forms have matured into a balanced, sovereign typeface. Eight harmonized weights and an extensive character set allow for a flexible and versatile typography. Cyrillic and Greek characters provide an extended language support.
For a limited time, FF Sero Medium is available for free download in OT, Offc and Web formats. Download it on the Goodies page.
FF Tundra – Ludwig Übele’s award-winning design FF Tundra is a narrow serif typeface with stressed forms and soft contours. The idea evolved from investigating how a narrow typeface should look for optimal readability. To avoid a fence-effect, FF Tundra emphasizes the horizontal line. Ludwig Übele combined strong serifs, flat shoulders (see n) and open but heavy endings (see a, e, c) with a moderate contrast to achieve a balanced, legible typeface with a certain softness and humanity. FF Tundra has been designed for continuous text, but is also suitable for magazines and headlines (especially the Extra Light) and will surely work in newspapers as well. The family consists of six weights from Extra Light to Bold, each with Italics and Small Caps and many OpenType layout features.
FF Mister K Informal
FF Mister K Informal – This new design by Julia Sysmäläinen is the latest offspring of the FF Mister K font family. It began in one of Kafka’s Quart Notebooks with handwritten texts that look astonishingly clear. The letter forms are carefully placed line after line but still reveal the author’s characteristic writing style. There is a simple explanation: These are final, rewritten texts. The first version — loaded with heavy editing and correction marks — can be found elsewhere in Kafka’s literary remains. The strong personality of FF Mister K is often appreciated, but some designers find it too unpredictable for down-to-earth target groups. So enriching the K Family with a clear, friendly looking member derived from Kafka’s stylistic repertoire seemed predestined by the users’ needs.
FF Nuvo Mono
FF Nuvo Mono – Siegfried Rückel expands his magazine typeface FF Nuvo with a monospaced variant for all weights, including Small Caps and Italics. This offers new options for traditional and unusual designs. The design retains its stroke endings with “chipped” corners, which make them appear soft when seen from a distance or in small point sizes, but reveal their peculiar forms at a closer look. However its x-height was lowered somewhat in comparison to FF Nuvo to emphasize FF Nuvo Mono’s typewriter character. The calligraphic touch in the characters a, g and y make this typeface stand out among other typewriter-like faces, as do the alternate characters for a, g, k, s and y, which add typographic versatility.
FF Signa Stencil/FF Signa Serif Stencil
FF Signa Stencil/FF Signa Serif Stencil – Ole Søndergaard’s stencil faces can be used to produce actual stencils, but more often than not they are selected for their unique aesthetic. It is fascinating to see how separate “floating” fragments combine to form recognizable character shapes. The way those letters are cut up gives a stencil design its specific character. FF Signa — a typically Danish typeface — is rooted in architectural lettering rather than book typography. This sans serif of concise letter forms and a minimum of detail joined the growing collection of sans/serif type systems when the serif variant was added in 2005. Now both versions are available as stylish stencil designs.
Updated and extended FontFonts
FF Info Text, FF Info Display, FF Info Correspondence Pro – Erik Spiekermann’s and Ole Schäfer’s FF Info Office is the typeface Erik Spiekermann himself feels should be more popular “because it works well on screen and is really cool but nobody has found it behind the larger FF Info Text and Display families.” It has been renamed FF Info Correspondence to avoid confusion with the Office font format. The complete FF Info family, one of the best wayfinding type systems, has now been upgraded to Pro language support and has been carefully fine-tuned.
FF Profile – Martin Wenzel’s FF Profile is one of the more beautiful humanist sans serifs in the FontFont library. This clear, uncluttered and attractive family based on the broad-nibbed pen was already available in OpenType Pro format. Its character set was expanded to include Greek.
New Offc and Web FontFontspermalink
Comp Fonts now included in Web FontFonts
Once again FontFont is leading the charge in webfont technology and making the lives of designers much easier! It’s now even simpler to integrate great typefaces like FF Meta Web, FF DIN Web, or the new FF Sero Web in all phases of website creation. We know that during the design process it may be necessary to create page layouts of the proposed design using applications that don’t support WOFF/EOT fonts (e.g. Adobe Photoshop or InDesign). Therefore, Web FontFont archives now contain corresponding TrueType-flavored OpenType fonts for the offline design phase. As reflected in the amended EULA, these Comp fonts may only be used for this specific purpose.
1.300+ Web FontFonts are already available. Browse them here.
Comp fonts can be used with desktop publishing apps like Adobe Photoshop
Safari 5.1 Gets Support for WOFF
Not only can we celebrate the launch of our Comp fonts, but we can also cheer the current release of WOFF-supporting Safari 5.1. Safari is the latest major browser, joining Firefox, Internet Explorer, Chrome, and Opera to support the common webfont format WOFF, giving Web FontFonts a browser compatibility rate of more than 95% (according to NetMarketShare), without relying on any third party service!
Improved Web FontFonts
Additionally, Web FontFonts have been improved to ensure that you end up with a smaller file size (up tp 60%), additional optimization for new versions of Microsoft Windows and improved vertical metrics for consistent baseline positions in all browsers. Most Web FontFont files even allow you to choose between proportional oldstyle figures and tabular lining figures using Subsetter. If you’ve already purchased Web FontFonts and would like to enjoy these enhancements, then please login to your account and download the upgraded files at no additional cost. If you haven’t purchased any of our webfonts yet, just try one of the fonts which are available for free for a limited time from our Goodies page.permalink
FontShop International launches FF Subsetter, a tool for optimizing and customizing Web FontFonts in three easy steps. The free service — found at www.subsetter.com — lets users significantly reduce file sizes to reduce bandwidth costs and make their websites faster.
18 months ago we released Web FontFonts, becoming the first major foundry to offer fonts in WOFF, the format which has now become the webfont standard, supported by all major browsers. We started with a simple pay-once licensing model and optimized every font for the best possible display across platforms. This month, to celebrate the news of broad WOFF support (with the upcoming version of Safari), our Type Department further improved the files, making them up to 60% smaller with additional optimization for new versions of Windows and improved vertical metrics for consistent baseline positions in all browsers. Upgraded files will be available starting July 20 at no additional cost.
But that wasn’t enough for our Marketing Director Ivo Gabrowitsch. “Users should have more control over their fonts. One of the reasons our customers rely on FontFonts is because of their comprehensive character sets, but in the web environment cutting back on file size can be important, especially when speed matters. That’s why we built the Subsetter,” said Gabrowitsch.
Smaller files mean faster websites and a better user experience. Dropping inessential characters from a webfont can make a big difference in the long term. It also gives designers the opportunity to use more font styles with less of an impact on speed and bandwidth.
Smaller files are less expensive too. As a website becomes more popular they cost more to host and maintain. Every bit of saved bandwidth saves money.
FF Subsetter optimizes and tailors fonts to each unique website in three steps:
- Upload a Web FontFont.
- Strip out glyphs and data that may not be needed for a particular site, like unused language characters, punctuation marks, and kerning.
- Download your optimized font file.
File sizes can be reduced up to 90% and the new fonts are instantly usable on the web, just like the originals.
The tool is simple to use, thanks to the work of our very own Clemens Carlstedt and Christoph Koeberlin. “I’m excited about the idea of customizing your font according to your personal needs. You don’t need to be an expert to use it, but if you are, you’ll discover great possibilities,” said Koeberlin, who adds this tip: “Even if you don’t want to modify the font, FF Subsetter’s glyph table is very handy to see what’s contained in your Web FontFont.”
FontFont Subsetter glyph table
BERLIN, GERMANY, April 2011 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.
The new designs
FF Spinoza — Max Phillips developed FF Spinoza over a period of eleven years. With the goal of readability in mind, Phillips named the typeface after 17th century rationalist and lens-grinder Baruch Spinoza, a man whose job it was to help people see clearly. The family is meant as an elegant workhorse, a classic text family with just enough individual character to hold its own in display sizes. It was inspired by mid-century German book faces like Trump Mediaeval and Aldus, and by the types of Nicolas Kis. The forms are narrow and economical, with open counters. The line is firm and distinct. It has strong thick strokes and serifs to help it grip the page. Its intended virtues are firmness, clarity and modesty.
Download the FF Spinoza specimen (PDF, 1.9 MB).
FF More — It’s easy to find sans serif typefaces with multiple widths and weights, but large serif families are much less common. The 30-font FF More fills this void. Five weights in each of Condensed, Regular, and Wide widths answer every need of publication design, from strong headlines to readable text and space-efficient information graphics. FF More’s sturdy serifs and gentle contrast withstand the rigors of magazine and newspaper design — retaining clarity despite size, background, or substrate.
Łukasz Dziedzic built FF More to work alongside FF Good, resulting in a powerhouse superfamily, versatile in both its function and aesthetic.
Download the FF More specimen (PDF, 5.4 MB).
Updated and extended FontFonts
FF Meta Hebrew — Erik Spiekermann’s FF Meta is the foundation of the FontFont library, released at the label’s inception and still a signature of the brand. Its ancestor – PT55 (1985) – was conceived for the West German Post Office as a economical typeface for use at small point sizes, but once FF Meta was released to the public it was used for nearly everything, quickly becoming one of the most popular typefaces of the computer era. It has been called the “Helvetica of the ’90s” – not because the two typefaces have anything aesthetically in common – but because FF Meta fulfills so well the needs of modern communication. Oded Ezer designed a Hebrew version for Book and Bold.
FontFont Release 55 marks a distinctive milestone — the entire FF library is now available in OpenType, while PostScript formats have been retired.
In addition, more FontFont families were converted to the Offc format (e.g. FF Sanuk and FF Isonorm). An important improvement is that Small Caps are now bundled for Offc fonts — if a font has a Small Caps version it is sold together with its companion, heavily discounting the Small Caps font.
On the OpenType Pro front, FF Sanuk was extended to Pro, and the lightest weights of FF Meta Pro, FF Meta Condensed Offc Pro, and FF Signa Correspondence Pro all received Cyrillic upgrades.
New Web FontFonts
Aside from the two new families, ten more popular FontFont families were converted to webfonts: FF Balance, FF Chambers Sans, FF Isonorm, FF Magda, FF Oxide, FF Pitu, FF QType Square, FF Sanuk, FF Signa Correspondence and FF Tartine Script. Web FontFonts are optimized for use on web pages using the @font-face rule. This means websites can now display HTML text in fonts other than the handful of “web safe” options of yesteryear. Because HTML text is far more flexible and easier to update than an image, using Web FontFonts gives the user customized, dynamic type. Furthermore, branded typography on web pages can be found and indexed by search engines. Text is also more accessible to users with disabilities. And because it can be resized, copied, and edited by website visitors, webfonts allow for stylized interfaces, forms, and applications without relying on Flash or other hacks.
Learn more about our different formats here.permalink
BERLIN, GERMANY, June 2010 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.
The new FontFonts
FF Amman came into existence as Yanone’s graduation project at Bauhaus University in Weimar, Germany. In late 2008, Yanone set out to Amman, the capital of Jordan, following an invitation by Ahmad Humeid from the local design and branding office Syntax. They were to re-brand the capital’s municipality in preparation of Amman’s centennial celebrations.
First and main part of Yanone’s diptychon »Amman The FFilm« about the making of the FF Amman typeface for Jordan’s capital on occasion of its centennial celebrations in 2009.
Never officially commissioned as a custom typeface, it was rather a birthday present from Syntax and Yanone for Amman, and the perfect university graduation project for Yanone. In the end, the typeface with several typographic novelties has been widely used for all kinds of municipal services in Amman. The family consists of seven sans and four serif weights, each with their true Italics and both Latin and Arabic character sets. It is one of the largest bilingual families ever made, one of the few designed bilingually from scratch and the first containing true Arabic Italics.
FF DIN Round — This welcome addition to FontFont’s most popular family brings a softness to FF DIN’s simplicity and industrial sterility. FF DIN Round is more than a “search-and-replace” rounded version of its predecessor. Albert-Jan Pool and his team redrew each letterform to maintain the structure of the original. This ensures FF DIN and FF DIN Round will work well together in logos, slogans, price tags, etc. as compatible parts of advertising campaigns and corporate identities.
FF DIN Round is not only a good companion to FF DIN, its smooth and friendly curves make it work on its own for branding strategies for family cars, bikes, household appliances, sportswear, shoes, or medical products. It’s also very legible on screen.
FF Suhmo is inspired by classic Egyptian and typewriter fonts such as Courier and American Typewriter, which feature headline and text use. This impressive duality was Alex Rütten’s guideline for the concept of FF Suhmo. At the same time, many formal details were derived from the typical neon-lettering you can find on aged Italian restaurants in Germany. FF Suhmo has short ascenders and descenders and a generous x-height, making it a good choice for editorial design. It combines simplicity and functionality with playfulness, offering interesting details such as loops and swashes and a slight stroke contrast. Its varied details are unobtrusive in text sizes while developing character and sparkle in headlines.
FF Suhmo’s extensive character set includes numerous special characters and ligatures, several figure sets and small caps throughout all styles. The family consists of 4 weights: Light, Regular, Bold and Black, each with an Italic. The weights were staggered to complement each other within a layout, the Black corresponding to the Regular and the Light corresponding to the Bold weight, allowing words or phrases to be clearly stressed within a text. The Italics are lighter than the Roman and have a relatively slight angle of slope. The forms are derived from a manual writing process and often cross the base-line or the x-height.read more
Typographic diversity – A new era for web design
BERLIN, GERMANY, February 2010
A more diverse and beautiful web is about to unfold. The latest release of the FontFont® typeface library marks the beginning of a new era for typography – FSI FontShop® International is introducing the first ever stand-alone FontFonts for the web. Finally web designers can use professional typefaces for their projects without relying on system fonts or webfont services. This long-awaited step enables a more seamless and effective transition from print design to the web. More than 30 of the most successful FontFont families are available now as Web FontFonts, including FF DIN®, FF Meta®, FF Dax®, and FF Kievit®. More will follow soon.