News: Tagged as Siegfried Rückel
FontFont designers have been recipients of prestigious type design awards, but few can claim to have been even before their creations were officially published. Ludwig Übele’s FF Tundra — a recipient of a Certificate of Excellence in Type Design at this year’s TDC2 competition — is now available for licensing. Other new releases are Jörg Hemker’s versatile sans FF Sero; the informal cousin of the popular FF Mister K; a monospaced variant for FF Nuvo; and stencil versions for the Danish sans/serif type system FF Signa.
The new designs
FF Sero – Jörg Hemker’s versatile sans FF Sero combines the striking forms of an American grotesque with the legibility of a humanist sans serif typeface. It has open contours, a distinct x-height and a homogeneous grayscale value. During seven years of development the classic letter forms have matured into a balanced, sovereign typeface. Eight harmonized weights and an extensive character set allow for a flexible and versatile typography. Cyrillic and Greek characters provide an extended language support.
For a limited time, FF Sero Medium is available for free download in OT, Offc and Web formats. Download it on the Goodies page.
FF Tundra – Ludwig Übele’s award-winning design FF Tundra is a narrow serif typeface with stressed forms and soft contours. The idea evolved from investigating how a narrow typeface should look for optimal readability. To avoid a fence-effect, FF Tundra emphasizes the horizontal line. Ludwig Übele combined strong serifs, flat shoulders (see n) and open but heavy endings (see a, e, c) with a moderate contrast to achieve a balanced, legible typeface with a certain softness and humanity. FF Tundra has been designed for continuous text, but is also suitable for magazines and headlines (especially the Extra Light) and will surely work in newspapers as well. The family consists of six weights from Extra Light to Bold, each with Italics and Small Caps and many OpenType layout features.
FF Mister K Informal
FF Mister K Informal – This new design by Julia Sysmäläinen is the latest offspring of the FF Mister K font family. It began in one of Kafka’s Quart Notebooks with handwritten texts that look astonishingly clear. The letter forms are carefully placed line after line but still reveal the author’s characteristic writing style. There is a simple explanation: These are final, rewritten texts. The first version — loaded with heavy editing and correction marks — can be found elsewhere in Kafka’s literary remains. The strong personality of FF Mister K is often appreciated, but some designers find it too unpredictable for down-to-earth target groups. So enriching the K Family with a clear, friendly looking member derived from Kafka’s stylistic repertoire seemed predestined by the users’ needs.
FF Nuvo Mono
FF Nuvo Mono – Siegfried Rückel expands his magazine typeface FF Nuvo with a monospaced variant for all weights, including Small Caps and Italics. This offers new options for traditional and unusual designs. The design retains its stroke endings with “chipped” corners, which make them appear soft when seen from a distance or in small point sizes, but reveal their peculiar forms at a closer look. However its x-height was lowered somewhat in comparison to FF Nuvo to emphasize FF Nuvo Mono’s typewriter character. The calligraphic touch in the characters a, g and y make this typeface stand out among other typewriter-like faces, as do the alternate characters for a, g, k, s and y, which add typographic versatility.
FF Signa Stencil/FF Signa Serif Stencil
FF Signa Stencil/FF Signa Serif Stencil – Ole Søndergaard’s stencil faces can be used to produce actual stencils, but more often than not they are selected for their unique aesthetic. It is fascinating to see how separate “floating” fragments combine to form recognizable character shapes. The way those letters are cut up gives a stencil design its specific character. FF Signa — a typically Danish typeface — is rooted in architectural lettering rather than book typography. This sans serif of concise letter forms and a minimum of detail joined the growing collection of sans/serif type systems when the serif variant was added in 2005. Now both versions are available as stylish stencil designs.
Updated and extended FontFonts
FF Info Text, FF Info Display, FF Info Correspondence Pro – Erik Spiekermann’s and Ole Schäfer’s FF Info Office is the typeface Erik Spiekermann himself feels should be more popular “because it works well on screen and is really cool but nobody has found it behind the larger FF Info Text and Display families.” It has been renamed FF Info Correspondence to avoid confusion with the Office font format. The complete FF Info family, one of the best wayfinding type systems, has now been upgraded to Pro language support and has been carefully fine-tuned.
FF Profile – Martin Wenzel’s FF Profile is one of the more beautiful humanist sans serifs in the FontFont library. This clear, uncluttered and attractive family based on the broad-nibbed pen was already available in OpenType Pro format. Its character set was expanded to include Greek.
New Offc and Web FontFontspermalink
FontFont represents some of the most talented and interesting type designers in the world. And for most of the year, that’s where they are: scattered all over the globe. In celebration of FontShop’s 20th Anniversary, FSI’s Ivo Gabrowitsch took the opportunity of a rare gathering this spring to talk with seven FontFont designers and get their take on their personal history in type design and what’s coming next. These conversations, peppered with insight about the creative process, are a rare look at the faces behind the typefaces.
The first of three FontCasts – published as part of FontShop’s FontCast series – from the day features Michael Abbink from New York City (FF Kievit, FF Milo) and Erik van Blokland from The Hague (FF Trixie, FF Erikrighthand, FF Beowolf).read more
Each FontFont release is newsworthy in its own right, but there is something especially momentous about this one: four brand new families, each one very different from the others; new styles for three of our most popular typefaces; and a dozen expertly crafted OpenType releases that breathe new life into FontFont classics.