News: Tagged as Release
Spring is here and so is the first FontFont Release of 2015, the rather wonderful FF 69!
New Release: FF Aad
FF Aad is the first typeface to join FontFont from designer Aad van Dommelen, a former type student of Gerrit Noordzij’s at the Royal Academy in The Hague. The modern sans serif with its humanist character has horizontal ending terminals which in turn transforms the negative shape between the letters into an open and simpler forms. Resulting in clean and easy-to-read words.
His five weight family, which includes genuine italics, is both neutral and elegant in appearance making it ideal for a multitude of applications particularly when used for corporate purposes such as annual reports, corporate brochures and branding.
New Release: FF Eggo
First up we are proud to introduce FF Eggo. Created by Warsaw based designer Łukasz Dziedzic, FF Eggo came from a request for a script font with multiple weights. Rather than just the classic calligraphy styles, thus allowing the script to have multiple and flexible uses.
Unique characteristics of the font include italics (a real rarity in script form) a thin style reminiscent of a pen or a thin marker, whilst the bolder styles could have been done with a brush or market. However, whilst it takes a step away from a traditional script its uppercase works well both alone and mixed with lowercase characters.
This is a script typeface that promises not to bore you after one use, with its five weights you can use it again and again, keeping the taste but changing the flavour.
Useful for sign lettering to chalkboards, FF Eggo was designed to be flexible, and it really does what it says on the tin.
New Style Extension: FF Mark Ultra
One of our biggest releases of recent years FF Mark by Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department has undergone an extension in the form of an ultra-heavy and strong weight, known as FF Mark Ultra.
Whilst it is based on the characteristics of FF Mark, the new weight FF Mark Ultra required specific designing. When drawing such extreme weights totally different design solutions are required which meant that the new weight has been created independently but retaining references to the original. Thanks to this new addition the FF Mark family the weight spectrum from hairline to the maximum possible, without loosing character.
The loud and proud weight is ideal for perfect for display settings giving maximum impact in big sizes.
New Styles Extension: FF Yoga & FF Yoga Sans
The new members give a fresh look to the family creating further more interesting opportunities for use building on its primary suggested use for book work.
During the process contrast was left in the hairline, which could be argued as not a real hairline, which shows a distinct sensibility for display uses. Whilst a light weight of the regular was created making it suitable for short texts.permalink
A creative and contemporary sans serif, Lukas Schneider’s FF Utility has acquired Thin & Extra Light weights to its now seven weight roster. Both new weights are perfect for anyone working with larger text such as headlines.
The original design grew out of Lukas Schneider’s graduate thesis project, a small family of typefaces named Gazoline, designed while he was studying at the Hochschule für Gestaltung Offenbach (HfG) in Germany.
With its Thin to Black weights there is no real need for italics, as it is customary to use weight to create emphasis in this type of design—Bold for text set in the light weight, or Black for text set in regular.
Each FF Utility font contains four figure sets, small caps, as well as an alternate ‘a’ and ‘g’ to increase its typographic flexibility.
With the additon of Thin and Extra Light, the family now contains seven weights. Thin and Extra Light were designed to be set in larger sizes and work great as headlines or for display use.
Each weight has a corresponding set of arrows.
The alternatives of the ‘a’ and ‘g’ give you the option of a more streamlined look.
FF Utility Thin
FF Utility Extra Light
FF Utility Light
FF Utility Regular
FF Utility Medium
FF Utility Bold
FF Utility Blackpermalink
FF Bauer Grotesk is a revival of the metal type Friedrich Bauer Grotesk, released between 1933 and 1934 by the foundry Trennert & Sohn in Hamburg Altona, Germany. The geometric construction of the typeface, infused with the Art Déco zeitgeist of that era, is closely related to famous German designs such as Futura, Erbar, Kabel and Super Grotesk that debuted a few years earlier. However, Bauer Grotesk stands out for not being so dogmatic with the geometry, lending the design a warmer, more homogenous feeling. The oval ‘O’ is a good example of this approach, as are characteristic shapes like the capital ‘M’ or the unconventional varying stroke endings on the ‘c’ and ‘s’ which give them a less constructed look.
Thomas Ackermann and Felix Bonge equipped FF Bauer Grotesk with a large variety of alternate characters in the upright and italic weights respectively, e.g. a lower case ‘e’ with two different stroke endings, ‘t’ with a straight and a round terminal. It also comes with playful umlauts such as the dots in the bowl of the ‘Ü’.
All fonts come in eight astonishing sets of figures, including playful numerals in square or circular outlines—both positive and negative. All these sets have alternative shapes for figures ‘1’, ‘2’, ‘4’ and ‘7’.
A selection of shapes, arrows and even hands (with little sleeves) round off the font. What’s more, note the selection of “Hanseatic features”: an umbrella, an anchor and the coat of arms of the city of Altona.
True to the historic examples of Friedrich-Bauer-Grotesk and Genzsch-Grotesk, FF Bauer Grotesk is equipped with both pointing and flat climaxes in ‘A’, ‘M’, ‘N’, ‘V’, and ‘W’.
While ‘G’ and ‘R’ feature a high “art-deco-waist” in Friedrich-Bauer-Grotesk, they have been digitized in that historic model as well as in more contemporary shapes. ‘Q’ also comes in its original appearance as well as in two new alternative forms.
FF Bauer Grotesk features all ligatures in demand. Of course some of them have different sets of stroke endings. Unfortunately the ‘fff’-ligature cannot be used in German words such as Sauerstoffflasche or Schifffahrt—that would be considered a typo.
FF Bauer Grotesk Light
FF Bauer Grotesk Light Italic
FF Bauer Grotesk Regular
FF Bauer Grotesk Regular Italic
FF Bauer Grotesk Book
FF Bauer Grotesk Book Italic
FF Bauer Grotesk Medium
FF Bauer Grotesk Medium Italic
FF Bauer Grotesk Demi Bold
FF Bauer Grotesk Demi Bold Italic
FF Bauer Grotesk Bold
FF Bauer Grotesk Bold Italicpermalink
Summer is well and truly here and so is the new FF67 release!
With the release of FF Franziska by type design newbie Jakob Runge, condensed and Cyrillic extensions for Morten Olsen’s FF Max, two new web friendly designs from FF Mister K designer Julia Sysmäläinen and FontFont’s first icon collection especially designed for user interfaces, this promises to be a good one!
New Release: FF Franziska
Originating from Jakob Runge’s masters thesis at the Muthesius Academy of Fine Arts and Design in Kiel, FF Franziska was selected at the first public TypeBoard meeting during TYPO Berlin 2013. Planned as a hybrid of sturdy slab and serif, its regular weight is built to sustain unfavourable circumstances, such as bad printing techniques or low resolution screens. The extreme weights of the family represent the two poles of FF Franziska: the quiet mono-linear and filigree Hairline feels like a pure slab serif, whilst the dark and substantial Black weight comes with the feeling of a serif.
A diverse typeface, its extroverted italic differs itself from the roman by its playful shapes which can often be found in handwriting.
The 20 style family is already proving itself to be an exceptionally useful typographic tool with a pre-release version of the typeface already in use as a text face for the German magazine Zeit and the Swiss printed Bündner Tagblatt among several other publications.
New Styles and Language Extension:
FF Max Condensed and Cyrillic
Inspired by Aldo Novarese’s Eurostile (1962) but rounder and friendlier in form, Morten Olsen’s humanist sans serif works well as a headline face for both magazines and newspapers whilst also working well in small point sizes. For this latest release Morten substantially extended FF Max’s 18 normal-width styles with 18 condensed styles, all of which now have their own Cyrillic versions. With the new condensed styles the family can now be used for an even wider range of tasks, and the language extension makes it functional for all of our customers who need Cyrillic characters for writing Russian, Bulgarian and other Cyrillic-based languages.
New Design: FF Mister K Splendid
Continuing with her use of Kafka’s often ironic literary oeuvre as an inspirational source, FF Mister K designer Julia Sysmäläinen has created two new web friendly designs – FF Mister K Splendid Regular and Light.
“... two friends, one of them blond, resembling Richard Strauss, smiling, reserved, clever; the other dark, correctly dressed, well mannered yet firm, too dainty, lisped; both of them gourmets, kept drinking wine, coffee, beer, brandy, smoked incessantly, one poured for the other …” — Franz Kafka
The two new designs, based on the lively and quirky charms of the two Danish friends as described by Kafka, are both well dressed, well mannered, enjoy the pleasures of life but have their own little faults and exaggerations. Together they make a splendid “semi perfect” typeface duo bringing delight to both large and small screens as well as printed pages.
These two new FF Mister K Splendids are also the first members of the family available as web fonts. While the original FF Mister K’s complex OpenType layout features and large file size make it not yet ready for embedding in websites, FF Mister K Splendid has been designed especially with web use in mind, demonstrating what is possible with today’s webfonts.
New Release: FF UI Icons
For the first time in FontFont history we can announce the release of a collection of specially designed user interface icon sets to create the FF UI Icons pack.
Having researched which icons are most commonly required for user interface design we asked the designers of our most successful FontFont Pi & Symbols families: FF Dingbats 2.0, FF Mister K Dingbats, FF Netto Icons, and FF Transit Pict to draw these 85 icons in their particular design style. Each font from the FF UI Icons pack contains the same set of icons, enabling users to keep one visual style throughout their apps or websites.
FF UI Icons are available in TrueType-flavored OpenType format for desktop and app use and in WOFF/EOT formats for the web.
The collection also features a teaser from the upcoming typeface, FF Comic Jens by Jens Kutilek, who has given us a sample with 85 UI icons from his yet to be released family of casual handwriting fonts.
We can gleefully declare our long awaited release is finally here! And what an interesting one it has turned out to be.
New Design: FF Antithesis
Based on the design principle of three poles, FF Antithesis is designed around the tension and dialogue between each of these. There are three members of the display family: Regular, Italic and Bold of which all relate to each other in a very high visual contrast.
The Regular member is a rather slabby serif, the Italic a connected script and the Bold a fat sans serif. Each are designed to work with each of the other two, in order to create design with high visual tension. Designed with a less is more attitude in terms of family size, Yanone has also created a contemporary dance art and music based film to accompany the typeface. Set to be launched this spring at TYPO San Francisco and TYPO Berlin, the purpose of the ten minute film is to present the typeface as more than just a typeface but as an interdisciplinary work of art.
A typeface perfectly apt for creative purposes and as part of statement pieces it looks set to become the new cool font of choice.
New Extension: FF Good
The size of our next announcement is a first for us here at FontFont.
FF Good, the upright, straight-sided sans serif designed by Warsaw based designer Łukasz Dziedzic, originally entered the library as a typeface with nine styles. However following an overhaul in 2010 the typeface jumped to 30 styles with an additional 30 styles for the titling version FF Good Headline.
Now within the FF 66 release the family has received yet another revamp making FF Good and FF Good Headline our biggest typeface family ever with a total of 196 styles between them! The newly extended family now includes seven weights ranging from Light to Ultra, and seven widths from Compressed to Extended for both FF Good and FF Good Headline, all with matching italics and small caps for both roman and italic styles.
Due to its subtle weight and width graduation, it is the perfect companion for interface, editorial, and web designers. This allows the individual to pick the style best suited to their layout.
And for a extra dose of good news we can also confirm that as of the latest release the new style FF Good News will be available at the incredible price of 5 EUR/GBP/AUS/USD.
Reorganisation: FF Ginger Flamboyant
FF Ginger Flamboyant consists of Light and Regular, which add a spark to individual letters and initial capitals, vamping up the plainest of texts.
FF Ginger is an alternative to the widely-used Crillee and Serpentine faces, which are especially popular for their bold italic variants. They express speed and dynamism and are popular choices for internet providers, couriers, service bureaus, etc. FF Ginger’s Light weight and matching icons extend its typographic scope.permalink
Our latest release line up features a FontFont newcomer alongside one of our seasoned type pros. Introducing FF Quixo, a brand new design by Frank Grießhammer as well as new weights to the FF Profile family in FF Profile Thin and FF Profile Extra Light by Martin Wenzel.
“Quixo” is an onomatopoeic exaggeration. If you are a good listener, you will know that the word comes directly from the sound of dipping a brush into a bottle of ink. It is also the sound of that same bottle, dropping on the floor: “Quix-O!!”.
FF Quixo is a tool-based typeface family, based on the contrast of the pointed pen. Conceived from Frank Grießhammer’s graduation project at the Type and Media program at KABK Den Haag, the typeface is rooted in handwriting and explores the concept of increasing tool size in relation to weight. The visual influence of the tool is barely visible in the Regular weight, but more extreme in the Black one. The incorruptible result is a diverse spectrum of 12 styles (6 weights with Roman and Italic in each) suitable for compact and concise passages of text.
FF Quixo plays on various sides of creative type – headline and text, bold and fine. It is a typeface that can show a playful side without looking goofy and is equipped with all the features and considerations necessary to produce complex typography. It feels at home whenever a touch of personality, whim, and symbols are required, but also provides the necessary precision for more functional applications.
FF Profile Thin and FF Profile Extra Light are the latest extensions to Martin Wenzel’s popular FF Profile family. Made for legibility, the family of sans serifs unites timeless forms together for a contemporary approach. Where other thin type players stay typically cool, FF Profile Thin and Extra Light manage to maintain warmth with its truly humanist design charm and special stroke endings.
Thinly sliced (at 100pt, the stem weight for FF Profile Thin is 2 points, with horizontal strokes at 1.8 points), the new extreme light weights stand firm and individual at large scales yet are still very legible in smaller sizes. The two new feather-weight faces come with Italics and Small Caps plus Greek and Cyrillic support, making them versatile all-rounders and ideal for flat design (hello iOS) and graphics.permalink
FF63 saw a FontFont milestone with the App+ license and this latest release is just as much an occasion as the last. With two brand new designs and Cyrillic language updates to three of our Pro packages, we have been counting down the days in high anticipation – we are simply super thrilled to bring you FF64.
New meets old meets technic, FF Mark is more than just an average geometric sans. A special type project, Ze new Germanetric sans is a collaboration by Hannes von Döhren, Christoph Koeberlin, and the FontFont Type Department with creative support from Erik Spiekermann.
True to geometric tradition yet contemporary for today’s needs, the family of 10 weights ranging from Hairline to Black is designed with versatility in mind. Extreme weights have been engineered to shine bright in large sizes and middle weights optimized for body copy.
And to mark the launch of FF Mark, we are launching a new microsite to showcase and celebrate the thinking and creative process behind the typeface. Discover, interact with and download the exclusive Free Fönt at www.ffmark.com.
Four years in the making and designed with utmost precision Mike Abbink and Paul van der Laan’s latest expansion of the FF Kievit superfamily has arrived.
The long-anticipated FF Kievit Slab has been carefully adjusted and fine-tuned in width and contrast to help make it an extremely robust and elegant typeface.
Typographical finesse has been delivered in the form of small caps, old style, lining, and tabular figures, and a mountain of OpenType glory.
The entire superfamily is well suited for editorial and book design, packaging and superfit for corporate branding and creative industries.
Language Extensions & Updates
Talk in even more type tongues with welcomed Cyrillic updates for FF Mister K Regular, FF Mister K Informal, FF Profile and FF Tisa Sans. Our extensive library also offer fonts for several scripts aside from Latin, including Greek, Arabic, Hebrew and even Armenian.permalink
Our latest release FF 63 not only contains a beautiful new Slab addition to the FF Marselis family but it also marks a new era in licensing for FontFont.
We want you to spend your time making sure the typeface is the perfect fit for your project. To make it as easy as pie to get the font you need, we’re launching a brand new license, App+.
Comprehensive, affordable and available online, it’s now really simple to license FontFonts for apps, games, editable PDFs and more.
Whether you want to use FF DIN in a mobile app, enhance a car interface with FF Meta or embed your PowerPoint presentation with FF Scala, with App+ you can. What’s more, you don’t need to buy a license for every app or device, the one App+ license will cover them all. So, using FontFonts just got even easier and frustration-free!
FF Marselis Slab is the newest addition to Jan Maack’s FF Marselis superfamily. With revised letterforms and rounded inner corners to make the serifs more subtle, the Slab version also has more closed counters, a slightly reduced horizontal thickness and uneven diagonals compared to the Sans. FF Marselis and FF Marselis Slab are highly practical typefaces apt for corporate identities and numerous other branding projects.
Bundle and save
Now, when you purchase any combination of OpenType, Office, or Web FontFont formats from the same typeface family. Make sure you have every format you need for all present and future projects and save money too!
Introducing FF Dora, a brand new design from one of the youngest and the newest FontFont designers to join the library, FF Signa Slab a delightful edition to the comprehensively developed FF Signa Superfamily and FF Scala Jewel Pro, the language extension of the decorative version to the bestselling FF Scala – this is FF 62, our newest release.
FF Dora was originally drawn as a graduation project at the Type and Media masters course at the Royal Academy of Art in The Hague, and was designed by editorial and book designer Slávka Pauliková. It is a headstrong type family consisting of five styles: Regular, Italic, Bold, Bold Italic, and Display. FF Dora’s construction principles – especially in the italic and display styles – are based on a detailed study of today’s handwriting styles. The main focus was on transforming handwritten shapes into a serif text typeface, not a script face. Much of the distinctive personality of the typeface is derived from this idea. FF Dora is perfectly suited to editorial design, particularly for book and magazine typography. Primarily, it is intended to be used in small sizes but FF Dora’s qualities and styles, especially the display style, bring a certain playfulness to larger sized text.
FF Signa Slab is the newest addition to the comprehensively developed FF Signa Superfamily designed by Ole Søndergaard. With square curves, high shoulders and a characteristically sparse construction, FF Signa Slab comes in seven weights, each with companion italics. The face includes all the necessities needed for professional typesetting such as small caps and the Pro version includes support for Cyrillic-based languages.
Language extensions and format additionspermalink
A brand new design ideal for modern devices, two long awaited and highly anticipated extensions and a whole host of language updates and new Office and Web versions – say hello to FF 61, our latest release.
FF Videtur is based on bitmap fonts that were created by Axel Bertram, one of East Germany’s most legendary designers, for the state television broadcaster GDR-TV. Bertram spent a great deal of time researching and testing the display conditions of 625-line television screens. His findings prompted the creation of Videtur, a functional open serif with moderate contrast and a highly unique shape. Fast forward two decades later and with a helping hand from FontFont’s Head of Type, Andreas Frohloff, the whole character set has been completely re-drawn and reinvigorated. The best characteristics of the earlier forms were kept but the typeface’s vertical proportions, serif shape, and stroke contrast have been carefully reconsidered.
Revamped, new weights and new language support
We are delighted to introduce the new completely revamped and updated FF Netto. Daniel Utz’s no frills spurless sans serif has been one of the FontFonts of choice, particularly on the web, ever since its release back in 2008. The new FF Netto has slightly increased spacing, revised curves and connections and two new extreme weights, the delicate and sinewy Thin and the confident and chunky Black. As if this wasn’t enough, Daniel Utz with help from the Type Team have also added new italics for all weights and Pro language support.
Language extensions and format additions
Our entire Premium Tier is now available in Pro, Offc and Web formats. So, now you can bring consistency and typographical finesse in more languages and across more applications/platforms.
New: FF Chambers Sans Pro
New: FF Disturbance Pro
New: FF Enzo Pro
New: FF Magda Pro
New: FF Speak Pro
New: FF Super Grotesk Pro
New: FF TradeMarker Pro
New: FF Transit Propermalink