News: Tagged as FF Typestar

Featured Web FontFonts, July 2013

Our July round up of Web FontFonts in use features the likes of FF Typestar by eBoy’s Steffen SauerteigMitja Miklavčič’s subtle yet graceful FF Tisa and Michael Abbink’s ever so popular FF Kievit. Silvio Napoleone’s FF Hydra Text and Ludwig Übele’s FF Tundra also make an appearance. 

Rob Meek – FF Typestar Web and FF Tisa Web

Rob Meek Website

Rob Meek is an information architect, interface designer and developer with a fair few typography-related projects under his belt. His portfolio site features the geometric but typographically refined FF Typestar Web as headers teamed with the softer serifs of FF Tisa Web as body copy. 

Lean Day: West – FF Kievit Web

Lean Day:West Website

Portland Oregon will be playing host to this year’s Lean Day:West – a series of events focusing on implementing and practicing lean startup in the enterprise. Both thicks and thins from the FF Kievit family are used extensively throughout the site including FF Kievit Black Web as headlines through to FF Kievit Regular Web for copy.

Woodtype Research – FF Hydra Text Web and FF Tundra Web

Wood Type Research Website

Is wood your type? Wood Type Research is a blog dedicated to current research in wood type design, manufacture and use circa nineteenth and twentieth centuries. The sans of Silvio Napoleone’s FF Hydra Text Web along with the serifs of Ludwig Übele’s FF Tundra Web is fitting to set the tone for this homage and documentation to all things wood type.

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New release: FF 60

How quickly the time has flown since FF 59, we can’t quite believe it is release time again. With two new designs, two extensions and a myriad of updates we are delighted to introduce our latest release, FF 60.

The new designs

FF Marselis  

FF Marselis FF Marselis

From the designer of FF Cube and FF Speak comes FF Marselis. Jan Maack’s newest design crossbreeds geometric and humanistic forms, creating a freshly dynamic sans serif family. All of the counters in the typeface are open; certain superfluous strokes have been eliminated – there are no spurs on the b or q, for instance.

Many designers chance upon using the same graphic shape for the lowercase ‘a’ and ‘e’ – indeed, the idea seems simple enough: just rotate the form 180° and you should be done! However, almost all attempts at this sort of theoretical simplification fail in practice. With FF Marselis, Jan Maack has found a key to making it work. Rather than whole letterforms, a tear-drop form repeats throughout the alphabet, not only in the bowl of the lowercase ‘a’ or ‘e’, but also in the ‘k’ and the uppercase ‘Q’. Its distinct character makes FF Marselis a perfect choice for today’s corporate and branding projects.

Introductory offer: You can get 50 % off any FF Marselis product (until 31 October 2012).

FF ThreeSixFF ThreeSixFF ThreeSix

FF ThreeSix is a huge experimental optical type system consisting of six typefaces in eight weights, including four additional monospaced weights. It is the result of London-based Paul McNeil’s and Hamish Muir’s attempts to work within the restrictive rules of geometry to generate simple typographic forms emulating traditional type design principles, where a wide range of almost imperceptible compensatory optical tricks are used to create the illusion of evenness in the basic fabric of text.

The award-winning system – ISTD Premier Award and Certificate of Excellence – is based on a grid of 36 unit squares subdivided into 9 units and are constructed using only vertical or horizontal straight lines and circular arcs. Cap-height, x-height, ascent and descent measurements are consistent across all fonts and weights. The grid also determines character and word spacing, with all side-bearings and kerning pair values conforming to 9 unit increments.

As Wim Crouwel notes: ‘It is a fascination for the use of geometric systems in design that has resulted in these remarkable typefaces.’

Updated and extended FontFonts 

FF Chartwell WebFF Chartwell WebFF Chartwell Web

We always strive to give you the best possible solution. That’s why we didn’t make it easy on ourselves when it came to creating FF Chartwell Web. FF Chartwell already pushes the boundaries of OpenType, so when faced with the prospect of massive font file sizes (up to 47000 glyphs) and a lack of OpenType feature support in most web browsers to make FF Chartwell work on the web, we had to think creatively! Not satisfied with simply converting the desktop fonts into web fonts we sought to transform FF Chartwell into something more than just a font. Using some nifty JavaScript tricks you can now breathe life into charts, pies, graphs online.

Introducing FF Chartwell Web. Simple to use and fun to play around with, you can try it for yourself online using our demo.

Free font: For a limited time, you can get your hands on FF Chartwell Web Radar for free.

FF Meta Correspondence

FF Meta CorrespondenceFF Meta Correpondence

Erik Spiekermann’s best-known face is without doubt FF Meta. While it has proven its usability in almost any design task one can think of, its creator realized that it could be improved even more for use in the business world. The main features of the first version of FF Meta Correspondence included tabular figures (instead of oldstyle ones) and increased tracking, yet Spiekermann wanted to go a few steps further and take the typeface to another level.

Now, Erik Spiekermann and the FontFont team changed both proportions and shapes to a more robust style, removed contrast from accents and simplified forms and details to a more screen-friendly appearance. The very well-known lowercase g has been changed to a single-storey one, which is more common within the office environment. Above all, a set of useful arrows, icons, and office dingbats has been added. The resulting design is still FF Meta, but one that breathes Correspondence air.

The simplified forms and the high-quality screen optimization make FF Meta Correspondence a perfect typeface for use as a webfont or within the mobile environment.

New Office and Web FontFonts plus language extensions

Did you know our library contains over 2500 FontFonts? After a FontFont is released, the work doesn’t stop, we continually tinker and update our beloved FontFonts to ensure that they are in tip-top condition and in the most up to date and useable formats. In FF 60, some of our earliest releases such as Just van Rossum’s FF Advert, Ole Schäfer’s FF Zine, and John Critchley’s FF Child’s Play have been brought up to date and now come in Office and Web formats.

All these faces have also been upgraded so that they are now also offered in Pro versions, meaning they now include more Latin-based languages (e.g. Polish, Turkish, Czech).FF Advert

FF Advert/Rough (NEW: Pro | Offc Pro | Web Pro)

FF Atma Serif

FF Atma Serif (NEW: Pro | Offc | Offc Pro | Web | Web Pro)

FF Child's Play 

FF Child’s Play (NEW: Pro | Offc | Offc Pro | Web | Web Pro) FF Cube

FF Cube (NEW: Pro | Offc | Offc Pro | Web | Web Pro)

FF Eureka Mono

FF Eureka Mono (NEW: Offc | Offc Pro | Web | Web Pro)

FF Fago

FF Fago Mono (NEW: Pro | Offc | Offc Pro | Web | Web Pro)

FF Hydra

FF Hydra/Text (NEW: Pro | Offc Pro | Web Pro)

FF Instant

FF Instant Types (NEW: Pro | Offc Pro | Web Pro)

FF Meta Correspondence

FF Meta Correspondence (NEW: Offc Pro | Web Pro)

FF Typestar

FF Typestar (NEW: Pro | Offc Pro | Web Pro)FF Zine

FF Zine Sans/Serif/Slab Display (NEW: Pro | Offc | Offc Pro | Web | Web Pro)

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New release: FF51

BERLIN, GERMANY, December 2009 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.

The new FontFonts

FF Yoga Pro
FF Yoga Sans Pro

Xavier Dupré’s FF Yoga family is a type system conceived to work for newspapers and magazines thanks to its strong personality and good legibility. The Serif weights with their sturdy serifs are a good choice for body text, but they also serve as an original headline face with their subtly chiseled counters inspired by blackletters. FF Yoga mixes the harshness of blackletters with the balanced rhythm and round shapes of the Garalde typefaces. FF Yoga Sans is a contemporary alternative to Gill Sans and a sober companion to Yoga Serif.

FF Mister K Dingbats OT

FF Mister K Dingbats are the newcomers to Julia Sysmäläinen’s FF Mister K family, a script typeface based on Franz Kafka’s manuscripts. It started with Finnish illustrator Oili Kokkonen creating some pretty funny cartoon characters using letterforms of FF Mister K Regular. Soon after, the design of almost 600 pictograms was on its way. All are based on glyph parts of the Regular with which they make a very good match.

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New release: FF49

BERLIN, GERMANY, July 2009 - FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.

The new FontFonts

FF Dagny Pro

FF Dagny — In 2002, the Swedish newspaper Dagens Nyheter (DN) changed from broadsheet to tabloid – a change that came along with a major impact on DN’s journalism, editing and design. Pangea design’s Creative Director, Örjan Nordling, had already worked with DN as a design consultant in 1996. In 2000, DN had been redesigned under the leadership of Dr. Mario Garcia. For the new design Nordling had created DN Bodoni exclusively for Dagens Nyheter. The change to tabloid called for a more compact setting and Pangea design was commissioned to produce a matching sans serif for Sweden’s largest daily newspaper. This became DN Grotesk which now has evolved into FF Dagny.

For the FontFont library Nordling and Göran Söderström made several adjustments, the contrast in stroke thickness was reduced for better legibility in small sizes and characters were redesigned together with the FontFont Type Department. The family now includes a range of consistent weights from Thin to Black making it perfect for use in body text and all kind of other applications. The name Dagny is an abbreviation of Dagens Nyheter as well as an old nordic female name meaning “new day”.

FF Duper Pro

FF DuperMartin Wenzel’s original idea from 1998 evolved into a kind of informal FF Profile in the end. The new FF Duper has a home-made touch, but provides of course all typographic qualities of a contemporary OpenType font. FF Duper consists of Regular, Bold, Regular Italic and Bold Italic weights, supports more than 60 languages, has several figure sets and fractions and includes alternative forms for a, g and y as well as a set of arrows, bullets and ornaments. And there is a special extra: All weights contain three versions of each glyph and via an OpenType feature the three alternatives are used in succession, treating vowels and consonents separately and recognizing even spaces between words for a lively and hand-made appearance of the typed text. Preliminary versions of the typeface have already been successful in education and school projects, but there are surely more areas where FF Duper perfectly fits in.

FF Kava Pro

FF Kava started out as a free typeface called Kaffeesatz, published by Yanone in 2004 during the early stages of his type designing career. The bold weight was reminiscent of coffeehouse grotesk typefaces of the 1920s, while the lighter versions were supposed to bridge the gap to contemporary type design.

The current FF Kava family is a carefully revised, more rounded version of the old Kaffeesatz fonts. A black weight has been added as well as small caps and more figure sets to form now an attractive modern and soft sans serif type family.

FF Unit Slab Pro 1

FF Unit® Slab: When Kris Sowersby, Christian Schwartz and Erik Spiekermann were designing the parameters for FF Meta Serif, they spent quite some time on details like the thickness and the shape of the serifs – should the face veer towards a slab with blocky, heavy serifs or should it be more of a traditional book face? In the end, they went for a “normal” serif face with fairly solid serifs, but some thick-thin contrast and counters that aren’t totally parallel to the outside shape of the letters. Stronger and thus more useful than Times New Roman while not as constructed as Rockwell.

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