News: Tagged as FF Tisa
In our latest “In-Use” case we caught up with the team over at Berlin based communications agency Blumberry to chat to them about their latest project in which FF Chartwell and FF Tundra were a saving grace.
Who was your client and what was the topic of this project?
Our client was Huawei Technologies Germany GmbH, one of the leading suppliers of telecommunication solutions employing more than 150,000 people across 140 countries.
The project, named “Germany and China - Perception and Reality” was carried out in cooperation with the renowned German Institute of Global and Area Studies in Hamburg (GIGA) and the market research institute TNS Emnid in Bielefeld. Its aim was to examine the perceptions that Germans and Chinese have of one another in order to identify stereotypes before assessing them in a scientific context. In other words, what perceptions do the different nationalities have of each other and can they be refuted by facts?
Huawei had initially ran the study two years previous and so were keen to compare these results with those from the new study. However to use both lots of data to create a large, graphically and scientifically complex document that could be made accessible to a wider audience without hindering the scientific element of the content presented us with quite a challenge.
- How many people were involved?
As a team we were required to handle all aspects of presenting the survey results, and so during peak periods we had up to 15 people on the team.
Our responsibilities included the programming of the study’s microsite, implementation of a lavishly staged exhibition of the study results (in the form of an Experience Walk) and the production of collateral such as posters and bags.
- How did you decide on the layout?
The layout of the previous study was a great help. From this we were able to quickly see what worked with the data and what could be improved. We initially tried several versions of the layout, from the multi-column to single-column pages, as we wanted to avoid the graphics and text appearing to have no visible connection to each other. Instead, they should relate to one another and not inhibit the flow when reading the text. Against this background the one-sided layout proved to be the most effective.
- How did you choose the typefaces that featured in the final project? And in what way did the chosen typefaces help with production of the document?
We made the selection of typefaces very early on in the design process. We tried and tested multiple typefaces, including a sans serif typeface that is defined in the design manual. However, in continuous text weaknesses were obvious instantly – after all this particular sans serif typeface was originally designed for “way finding” and not for ease of reading when used for lengthy texts. For this reason, it was clear that we needed a serif for such an extensive study. Moving from the expressive FF Yoga and FF Tisa, we finally decided on the very reader-friendly FF Tundra by Ludwig Übele. FF Tundra’s quality in single-column layout with above-average long lines, made it the perfect choice for the study’s text.
With its focus around numerical data we hoped that FF Chartwell would save us an enormous amount of time. We had only a few weeks to build a variety of graphics from a data bundle of more than 1,000 pages, of which many of them contained graphical information and statistics.
Once we had all of the necessary data identified, extracted and excess material removed, the clear simplicity of FF Chartwell was very welcome. We would even go as far to say that had we been without this “chart tool” it would have been an even greater challenge to deliver on time.
Within a study of this size it is easy for mistakes to be missed. A graphical tool, such as FF Chartwell, helped to keep these errors to a minimum, because it works “only” by entering numbers, which as a result made the entire process less error prone.
We were also very grateful for FontFont’s detailed documentation on FF Chartwell as well as the useful tips and tricks from FontFont’s Jens Kutilek’s video tutorial. As a result even our consultants could proofread the entire study and make corrections via InDesign’s simplified mode without having to be taught about OpenType features first.
- What was the theme for the illustrations?
The style of the illustrations was closely coordinated with that of FF Chartwell – simple, clear and concise. This resulted in simple icons that clearly illustrated the content without lacking details.
left to right: Lars (concept and design), Christin (illustrations), Denise (concept) and Maurits (microsite and app).
For more information on these FontFont typefaces and further buying options head to fontfont.com.
Interview hosted by Alexander Roth, FontFont Marketing department.permalink
The Letter Fountain is a site created to support students and teachers who use the book Letter Fountain. The Letter Fountain is a unique typeface handbook: in addition to examining the form and anatomy of every letter in the alphabet (as well as punctuation marks and special characters), the book cross-references type designs with important works of art and art movements from Gutenberg’s times until today.
Offset is a new, curated collection of extraordinary, engaging imagery from top artists and storytellers around the world. Offset has an exceptional mix of photography and illustration, both commercial and editorial imagery from best-in-class artists who shoot for major advertising clients and world-renowned brands.
The California Sunday Magazine comes from the lab of Pop-Up Magazine. Together they set out to produce unforgettable storytelling from the West Coast of America. The pronounced serifs make Mitja Miklavčič’s FF Tisa Web extremely legible. Its unique details—including slightly exaggerated ink traps and a fairly upright italic—are particularly visible in display sizes.permalink
Our July round up of Web FontFonts in use features the likes of FF Typestar by eBoy’s Steffen Sauerteig, Mitja Miklavčič’s subtle yet graceful FF Tisa and Michael Abbink’s ever so popular FF Kievit. Silvio Napoleone’s FF Hydra Text and Ludwig Übele’s FF Tundra also make an appearance.
Rob Meek is an information architect, interface designer and developer with a fair few typography-related projects under his belt. His portfolio site features the geometric but typographically refined FF Typestar Web as headers teamed with the softer serifs of FF Tisa Web as body copy.
Portland Oregon will be playing host to this year’s Lean Day:West – a series of events focusing on implementing and practicing lean startup in the enterprise. Both thicks and thins from the FF Kievit family are used extensively throughout the site including FF Kievit Black Web as headlines through to FF Kievit Regular Web for copy.
Is wood your type? Wood Type Research is a blog dedicated to current research in wood type design, manufacture and use circa nineteenth and twentieth centuries. The sans of Silvio Napoleone’s FF Hydra Text Web along with the serifs of Ludwig Übele’s FF Tundra Web is fitting to set the tone for this homage and documentation to all things wood type.permalink
Back in February we celebrated the third birthday of our Web FontFonts – how time flies! This month’s round up of our favourite sites featuring Web FontFonts includes the highly popular FF Tisa family by Mitja Miklavčič, Max Phillips’ splendid FF Spinoza and Nina Stössinger’s charmingly sturdy FF Ernestine.
Typografie.info is the largest German-speaking online design platform all about type and typography and is set in Nina Stössinger’s delightfully feminine yet serious, FF Ernestine. Founded in 2001 by Ralf Herrmann, it’s a really active community with news articles and opportunities to share work and opinions.
The design collective AQQ sets their website in Max Phillips’ beautiful and sturdy workhorse, FF Spinoza. They make mainly furniture and are based in California. AQQ stands for “al que quiere” which when roughly translated from latin means “for he who wants it.”permalink
Since the launch of Web FontFonts almost three years ago, we have seen the web slowly transform from a dry and arid typographic landscape to one that is enriched and nourished by variety, flavour and choice. As part of a new monthly piece on our blog, we will present three sites we love, which feature Web FontFonts in use.
The Wunderkammer by the Hagströmer Medico-Historical Library offers a plethora of medical art treasures. Ranging from pamphlets to books to portraits their collection is fascinating. Adorning the captions, titles and navigation is Christian Schwartz’s grotesk workhorse, FF Bau.
Featuring FF Tisa Web in the body copy and URW’s Alternate Gothic in the headlines, Uncrate is the digital magazine for guys who love stuff. They post five new things every day to satiate the discerning design gentleman’s thirst for things and stuff.
Showtime is one of America’s premium networks with eleven channels, on their website you can catch up on some of the most popular shows and subscribe to their service. Used throughout their site is one of our FontFont bestsellers and Albert-Jan Pool’s modern classic, FF DIN.
Does your website feature a Web FontFont? Our Lucy would love to hear from you, please drop her a line (firstname.lastname@example.org) with details of your site.permalink
You may have heard that our Web FontFonts are now supported by 98% of all desktop browsers. With a tantalising typographical treasure trove of 2240 Web FontFonts, it’s sometimes tricky to decide which web font is the best fit for your online brand presence. To provide a little inspiration and help you choose, we’ve brought together a selection of in-use cases of our top ten most popular web fonts that have caught our eye recently.
The marvellous FF Meta and FF Meta Serif, Erik Spiekermann’s No-Brainer, feature on this great site Parse by How. Parse is a real smörgåsbord of design content; they scour the web to bring together what they call design ‘tapas for the brain’.
One of our bestsellers and a real classic typeface, FF DIN, features on the Budget 4 Change website. The thin horizontal strokes and fluent curves of FF DIN provide a sober and solid tone to the site which is dedicated to mapping, tracking and analyzing donor government budgets against official development assistance.
Evolution, Revolution, Solution. That is the simple philosophy behind Typolution, the ‘purely’ typographical website that covers the latest developments, innovations and advancements in the industry (all in German). The site uses our very own FF Unit for the body text and FF Unit Slab for the headers, offering a cool yet disciplined tone.
The website for the VRB (Vorratsgesellschaft) organization based in Germany is set in one of the bestselling and most serious text faces, the formidable FF Scala and FF Scala Sans. The VRB offers ‘off the’ Shelf Companies and legal advice.
Two Arms Inc are a team of two, who combine illustration and design in a delightful manner. Based in Brooklyn they are famed for their passion for screenprinting. Their website employs FF Dagny, by Örjan Nordling and Göran Söderström. Great minds think alike, as we use it on our site too!
We’ve recently received some lovely examples of FontFonts in-use. Keep ’em coming! If you’ve used a FF in a recent project and you’d like to be featured on our site, please email email@example.com
We are very excited to be sponsoring TYPO London and are delighted to be able to give you the chance to win one of three tickets to attend the two day conference.
Following in the footsteps of last year’s inaugural and highly successful TYPO London, this year’s conference will take place on 19th and 20th October at the Institute of Education.
The theme is Social and with the likes of Irma Boom, Paula Scher, Rian Hughes, Matthew Butterick, Tony Chambers to name a few, you will be spoilt for choice with the spectacular speakers and jam-packed programme on offer. Our very own Andreas Frohloff, Head of our Type Department, will also be running his much loved workshop on Calligraphy on the Saturday.
Three lucky people have the chance to win tickets to attend the two day conference*, all you have to do is answer the three following questions …
- What was the name of the artist whose music we used in the FF Scuba video?
- Can you name Mitja Miklavčič’s newest FontFont design?
- Name the below FontFont tattoo (little tip … the answer's on the arm, wink wink, nudge nudge)
How to enter
Just email firstname.lastname@example.org with your three answers and contact details.
Closing date: 11.00 (CET) Thursday October 11, 2012. We will announce the winners shortly after the closing date.
*Please note the prize is just the ticket for the conference and not travel to London, so you’ll have to make your own way there ;-)permalink
‘Whenever I design a typeface, I learn something new. This is one of the best things about typography.’
About FF Tisa
FF Tisa Sans is Slovenian designer Mitja Miklavčič’s follow-up typeface to one of the new-millennium favorites in the our library, FF Tisa. Whether used together or separately, both of his families are excellent choices for branding projects and complex editorial applications.
It is with much anticipation and excitement that we announce our 59th release. With three brand new designs, one extension and a whole array of new Offc, Web and Pro versions of some of our classic FontFonts; FF 59 is one of our biggest releases yet.
The new designs
FF Scuba is a legible contemporary sans with a distinctive character. Searching for an offline companion for Verdana and not finding the exact tone he was looking for, designer Felix Braden set off to develop a new series of types. The resulting family is a bit tighter and more condensed than Verdana. In small sizes FF Scuba blends well with Verdana, and in display sizes it reveals its particular originality. The design combines constructed letters, like an almost rectangular o, with dynamic strokes and other elements referring to writing. This mix gives the typeface a lively touch, while still keeping true to its technical roots.
For a limited time, FF Scuba Regular is available for free download in OT and Web formats. Download it on the Goodies page.
FF Tisa Sans
FF Tisa Sans is Slovenian designer Mitja Miklavčič’s follow-up typeface to FF Tisa. Whether used together or separately, both of his families are excellent choices for branding projects and complex editorial applications. The original FF Tisa is one of the new-millennium favorites in the FontFont library—known for its sturdy and friendly forms, hence its common use in newspapers and magazines.
In all important details, FF Tisa Sans matches FF Tisa perfectly. Aside from the lack of serifs, the Sans features slightly reduced ink traps. Necessary system elements have been fine-tuned to one another, including the color density of blocks of text, the proportions of the letterforms and their distinctive stroke endings, and even the eye-catching Italics. Of course, the FF Tisa Sans character set contains the same range of characters and typographic features as the original FF Tisa, too. Since FF Tisa Sans should prove quite suitable for signage and information design projects, Miklavčič included a range of specially designed arrows in each font as well.
Designed by Travis Kochel, FF Chartwell is a fantastic typeface for creating simple graphs. Driven by the frustration of creating graphs within design applications and inspired by typefaces such as FF Beowolf and FF PicLig, Travis saw an opportunity to take advantage of OpenType technology to simplify the process.
FF Chartwell (Pies, Lines, Bars) was originally released in 2011 under the TK Type foundry. In 2012, it was added to the FontFont library with the addition of four new chart styles, the Polar Series as well as Bars Vertical.
The Polar Series (Rose, Rings, and Radar) is a set of new designs, which take on the form of more experimental charts. In an effort to make the charts smarter and more dynamic, each design reacts not only to the data entered, but the number of values.
Updated and extended FontFonts
FF Meta Serif: Light and Extra Bold
Following the Greek/Cyrillic language update to FF Meta Serif in FF 58, we’ve now added two new weights to FF Meta Serif—Light and Extra Bold.
New Pro versions
Pro FontFonts enjoy the distinction of extended language support and ease of use, affording the typographer the ability to set text in a much broader range of languages. All Pro FontFonts include Extended Latin (Central European) characters, but may additionally support Cyrillic, Greek, or other/additional scripts. The following FontFonts now include Pro language support and thus speaking 36 Latin-based languages more.
New Office and Web FontFonts
We are continually updating our library to ensure that our FontFonts are in the most up to date and useable formats. With our latest release, we’ve updated a whole host of our portfolio for the use on the web, among them classics such as FF Strada, FF Legato, FF Transit, and FF Schulbuch.
All these faces additionally come in Offc versions, fonts tuned to work best in programs like Microsoft Word or PowerPoint.permalink
Instapaper — the original ‘Read Later’ tool — allows you to save interesting webpages so that you can read them later. Instapaper cleverly strips away everything except the text offering a very clean, simple and user-friendly reading experience. The new version has been updated and optimized for the new iPad Retina display and has a range of new typefaces including our very own FF Tisa and FF Meta.
FF Tisa Mobile is one of the rising stars of our Mobile FontFonts, its proportions make it well suited to all text sizes and the low stroke contrast and dynamic forms make it a really functional screen face. We launched our Mobile FontFonts last October and have recently expanded our range so that they are now compatible on Android App platforms.
FF Meta is one of the signature typefaces of our library, released shortly after we started FontFont. It remains one of the most popular typefaces of the digital age and has expanded over the years to become a very flexible superfamily that is just as fresh as when it was first released. We created a special editable embedding license specifically for Instapaper so that they could embed FF Meta in their app.
Check out MobileFontFonts.com for our full collection of Mobile FontFonts or get in touch with us if you would like to use one of our other typefaces in your app.permalink