News: Tagged as FF Super Grotesk

New Release: FF 61

A brand new design ideal for modern devices, two long awaited and highly anticipated extensions and a whole host of language updates and new Office and Web versions – say hello to FF 61, our latest release.

New design

FF Videtur

FF Videtur

FF Videtur is based on bitmap fonts that were created by Axel Bertram, one of East Germany’s most legendary designers, for the state television broadcaster GDR-TV. Bertram spent a great deal of time researching and testing the display conditions of 625-line television screens. His findings prompted the creation of Videtur, a functional open serif with moderate contrast and a highly unique shape. Fast forward two decades later and with a helping hand from FontFont’s Head of Type, Andreas Frohloff, the whole character set has been completely re-drawn and reinvigorated. The best characteristics of the earlier forms were kept but the typeface’s vertical proportions, serif shape, and stroke contrast have been carefully reconsidered.

Revamped, new weights and new language support

FF Netto

FF Netto

We are delighted to introduce the new completely revamped and updated FF Netto. Daniel Utz’s no frills spurless sans serif has been one of the FontFonts of choice, particularly on the web, ever since its release back in 2008. The new FF Netto has slightly increased spacing, revised curves and connections and two new extreme weights, the delicate and sinewy Thin and the confident and chunky Black. As if this wasn’t enough, Daniel Utz with help from the Type Team have also added new italics for all weights and Pro language support.

New weight

FF Quadraat Sans

FF Quadraat Sans 

Following the redesign of Fred Smeijers’ classic FF Quadraat last year, we bring you FF Quadraat Sans Black, a brand new weight to pack a punch on the bold end of the spectrum.

Language extensions and format additions

Our entire Premium Tier is now available in Pro, Offc and Web formats. So, now you can bring consistency and typographical finesse in more languages and across more applications/platforms.

FF Absara

New:  FF Absara Pro, FF Absara Sans Pro, FF Absara Headline Pro, FF Absara Sans Headline Pro + Offc + Web

FF Absara

FF Cellini

New: FF Cellini Offc & Web

FF Cellini

FF Chambers Sans

NewFF Chambers Sans Pro

FF Chambers

FF Disturbance

New: FF Disturbance Pro

FF Disturbance

FF Enzo

New: FF Enzo Pro

FF Enzo

FF Kosmik

New: FF Kosmik Pro & Offc & Web

FF Kosmik

FF Letter Gothic

New: FF Letter Gothic Mono ProFF Letter Gothic Text Pro & Offc & Web (for each)

FF Letter Gothic

FF Magda

New: FF Magda Pro

FF Magda

FF Megano

New: FF Megano Pro & Offc & Web

FF Megano

FF Quadraat Headliner

New: FF Quadraat Headliner Pro

FF Quadraat Headliner

FF Speak

New: FF Speak Pro

FF Speak

FF Super Grotesk

New: FF Super Grotesk Pro

FF Super Grotesk

FF TradeMarker

New: FF TradeMarker Pro

FF Trademarker

FF Transit

New: FF Transit Pro

FF Transit

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ÜberFontFonts

Every three months, we announce our top three fonts that have climbed up the popularity charts the most, during the last quarter. We call them our ÜberFontFonts.

There’s been a flurry activity here at FontFont, from our latest release FF 59, which includes the highly successful new designs FF Scuba, FF Chartwell and FF Tisa Sans, to the whole host of new features and functionality that we’ve recently added our website. We’re already halfway through the year (yes, we can’t quite believe it!), so it’s now time to announce our ÜberFontFonts for this quarter.

ÜberFontFonts Q2 2012

Our top three ÜberFontFonts for the second quarter of 2012 are:

FF Super Grotesk by Svend Smital is based on a 1930s design by Arno Drescher, the web version of FF Super Grotesk has been particularly popular recently.

The lovable and highly expressive FF Letterine family, which includes FF Letterine, FF Letterine Esagerate, FF Letterine TeatroFF Letterine Archetipetti One and FF Letterine Archetipetti Two by Alessio Leonardi is also climbing the charts and is one of our FF Collection Tier typefaces, a range of affordable priced full family packages (all the weights and font families for an all-inclusive price).

Last but by no means least, our third and final ÜberFontFont for this quarter is the Web FontFont of FF Speak by Jan Maack.

Check out our ÜberFontFonts for the first quarter of 2012

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The a|ɑ-Team

Every now and then we are asked for typefaces containing alternative characters – the first letter of the alphabet is especially interesting in this respect as the Latin script knows two forms of the lower case a: the double-storey a is one of the most distinctive letters in a typeface while the single-storey a is rather neutral and decent. So you can considerably change the character of a typeface by simply swapping just one letter.

a-Alternatives

Thanks to OpenType both forms can be contained in one font and the user can easily switch between the two forms (in applications that support OT layout features, like Adobe’s Creative Suite for instance). Many of the innovative FontFonts offer this opportunity:

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New release FF52: A new era for web design

Typographic diversity – A new era for web design

BERLIN, GERMANY, February 2010

A more diverse and beautiful web is about to unfold. The latest release of the FontFont® typeface library marks the beginning of a new era for typography – FSI FontShop® International is introducing the first ever stand-alone FontFonts for the web. Finally web designers can use professional typefaces for their projects without relying on system fonts or webfont services. This long-awaited step enables a more seamless and effective transition from print design to the web. More than 30 of the most successful FontFont families are available now as Web FontFonts, including FF DIN®, FF Meta®, FF Dax®, and FF Kievit®. More will follow soon.

First Web FontFonts

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New release: FF51

BERLIN, GERMANY, December 2009 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.

The new FontFonts

FF Yoga Pro
FF Yoga Sans Pro

Xavier Dupré’s FF Yoga family is a type system conceived to work for newspapers and magazines thanks to its strong personality and good legibility. The Serif weights with their sturdy serifs are a good choice for body text, but they also serve as an original headline face with their subtly chiseled counters inspired by blackletters. FF Yoga mixes the harshness of blackletters with the balanced rhythm and round shapes of the Garalde typefaces. FF Yoga Sans is a contemporary alternative to Gill Sans and a sober companion to Yoga Serif.

FF Mister K Dingbats OT

FF Mister K Dingbats are the newcomers to Julia Sysmäläinen’s FF Mister K family, a script typeface based on Franz Kafka’s manuscripts. It started with Finnish illustrator Oili Kokkonen creating some pretty funny cartoon characters using letterforms of FF Mister K Regular. Soon after, the design of almost 600 pictograms was on its way. All are based on glyph parts of the Regular with which they make a very good match.

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New release: FF45

Each FontFont release is newsworthy in its own right, but there is something especially momentous about this one: four brand new families, each one very different from the others; new styles for three of our most popular typefaces; and a dozen expertly crafted OpenType releases that breathe new life into FontFont classics.

FontFont Release 45

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