News: Tagged as FF Speak
A brand new design ideal for modern devices, two long awaited and highly anticipated extensions and a whole host of language updates and new Office and Web versions – say hello to FF 61, our latest release.
FF Videtur is based on bitmap fonts that were created by Axel Bertram, one of East Germany’s most legendary designers, for the state television broadcaster GDR-TV. Bertram spent a great deal of time researching and testing the display conditions of 625-line television screens. His findings prompted the creation of Videtur, a functional open serif with moderate contrast and a highly unique shape. Fast forward two decades later and with a helping hand from FontFont’s Head of Type, Andreas Frohloff, the whole character set has been completely re-drawn and reinvigorated. The best characteristics of the earlier forms were kept but the typeface’s vertical proportions, serif shape, and stroke contrast have been carefully reconsidered.
Revamped, new weights and new language support
We are delighted to introduce the new completely revamped and updated FF Netto. Daniel Utz’s no frills spurless sans serif has been one of the FontFonts of choice, particularly on the web, ever since its release back in 2008. The new FF Netto has slightly increased spacing, revised curves and connections and two new extreme weights, the delicate and sinewy Thin and the confident and chunky Black. As if this wasn’t enough, Daniel Utz with help from the Type Team have also added new italics for all weights and Pro language support.
Language extensions and format additions
Our entire Premium Tier is now available in Pro, Offc and Web formats. So, now you can bring consistency and typographical finesse in more languages and across more applications/platforms.
New: FF Chambers Sans Pro
New: FF Disturbance Pro
New: FF Enzo Pro
New: FF Magda Pro
New: FF Speak Pro
New: FF Super Grotesk Pro
New: FF TradeMarker Pro
New: FF Transit Propermalink
Every three months, we announce our top three fonts that have climbed up the popularity charts the most, during the last quarter. We call them our ÜberFontFonts.
There’s been a flurry activity here at FontFont, from our latest release FF 59, which includes the highly successful new designs FF Scuba, FF Chartwell and FF Tisa Sans, to the whole host of new features and functionality that we’ve recently added our website. We’re already halfway through the year (yes, we can’t quite believe it!), so it’s now time to announce our ÜberFontFonts for this quarter.
Our top three ÜberFontFonts for the second quarter of 2012 are:
The lovable and highly expressive FF Letterine family, which includes FF Letterine, FF Letterine Esagerate, FF Letterine Teatro, FF Letterine Archetipetti One and FF Letterine Archetipetti Two by Alessio Leonardi is also climbing the charts and is one of our FF Collection Tier typefaces, a range of affordable priced full family packages (all the weights and font families for an all-inclusive price).permalink
Typographic diversity – A new era for web design
BERLIN, GERMANY, February 2010
A more diverse and beautiful web is about to unfold. The latest release of the FontFont® typeface library marks the beginning of a new era for typography – FSI FontShop® International is introducing the first ever stand-alone FontFonts for the web. Finally web designers can use professional typefaces for their projects without relying on system fonts or webfont services. This long-awaited step enables a more seamless and effective transition from print design to the web. More than 30 of the most successful FontFont families are available now as Web FontFonts, including FF DIN®, FF Meta®, FF Dax®, and FF Kievit®. More will follow soon.
BERLIN, GERMANY, November 2009 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.
The new FontFonts
FF Mach™ The very first sketches of FF Mach were drawn in 2004 when a colleague who planned a new Polish magazine about culture and arts asked Łukasz Dziedzic for a logo – there was neither time nor money, so he did it quickly and for free. The logo was met with approval and Łukasz was asked for some sample covers and a few days later for the whole layout – again immediately and free of charge. Łukasz agreed with mixed feelings, thinking this might be a chance to use some of his fonts and even make a new one based on the logo and title graphics. The new font worked well but unfortunately, after the magazine failed three months later, it was never used again until Łukasz decided in 2008 to redraw all the glyphs in order to remove the traces of that speedy work, and in the end he designed a complete new type family with six weights and three widths.
FF Masala™ is as unctuous as a curry sauce with a hint of chili to add zest. Xavier Dupré’s initial idea for FF Masala was to offer a casual Sans matching FF Tartine Script. After rethinking and refining, FF Masala became a truly casual type system with three Sans weights and their Italics plus three powerful Script versions with swashes, right for logos and packaging as well as comics or children’s book covers.