News: Tagged as FF Soul
To help you navigate your way around our vast assortment of typographical treats, we made some changes last year to the way our library is structured and introduced three tiers: Premium, Collection and Free.
Over the coming months, we will feature our top Collection Tier FontFonts for a particular intended use and give you some handy tips and hints on how to use them. We’ve mentioned before that we are powered by music and although the summer may not be sizzling, the music festival season has certainly arrived; so first up in this series are our top ten typefaces suitable for use in music and nightlife.
Audience: Can a typeface look like music? Maybe. The right face for a violin concerto CD probably won’t be the best choice for a DJ’s website, though. When it comes to selecting type for music and nightlife, the right ones are all about appearances; legibility and even readability take a back seat.
Think of the great psychedelic posters from the ’60s or the dance club flyers from the ’90s – neither of these typically featured text that was easy to read.
The typefaces you select for music and nightlife should be geared toward the particular audience. Contemporary music needs type that feels like it was made now. ‘Corporate’-looking fonts will probably be the wrong fit.
Usage: Choose your type based on where it will be seen. Album covers, t-shirts and posters are an opportunity to create work that is illustrative and unique, while advertisements for an act’s concert appearances or for specific clubs offer less leeway
Fans will be able to pick out their favorite band from a sea of logos, but when you present information about where they will play, when tickets will be available and how much they cost, you can help the reader by listing these bits of information clearly.
Music and nightlife allow typeface combinations that would never normally go together in a corporate setting. Try to find imaginative styles for band identities, or for the venues where they will appear. Combine these with something clear and more subdued for everyday information; this stuff is less important in a visual hierarchy than the creative side, but it should still communicate what it has to.
Ecosystem: Type is just one element of the mix for music and nightlife. How does it combine with photographs, illustrations, or even simple fields of color? Words don’t have to be written with ornate letters to be decorative – big fat block letters can do the trick, depending on what other elements you mix them together with. Especially in this category of design, it is definitely OK to use all-caps text.
Although your design doesn’t have to be 100% about the type, good fonts will help strike the right tone. When you select your typefaces, think about what other design elements you will be combining them with. If imagery is a more important part of your band’s ‘identity’, take this into consideration. Sticking to one family with several weights and widths may offer enough versatility.
Have a browse of all our Collection Tier typefaces suitable for music and nightlife. Let us know which ones you would add to the list!
About our Collection Tier
Our Collection Tier FontFonts are a selection of cost effective typographical treasures offered as full-families. All packages are available in OpenType with Standard language support (with a few key exceptions) and are all affordably priced under €/$ 100 each.
About the Intended Use function
The intended use function helps you easily sift through the multitude of fonts on offer. With categories ranging from Book Text to Wayfinding and Signage, from Posters and Billboards to Festive Occasions, there are over 12 different intended use categories to help you find the perfect typographical match for your project.
Next up in our series — Our top Collection Tier FontFonts suitable for Sport.permalink
BERLIN, GERMANY, June 2010 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.
The new FontFonts
FF Amman came into existence as Yanone’s graduation project at Bauhaus University in Weimar, Germany. In late 2008, Yanone set out to Amman, the capital of Jordan, following an invitation by Ahmad Humeid from the local design and branding office Syntax. They were to re-brand the capital’s municipality in preparation of Amman’s centennial celebrations.
First and main part of Yanone’s diptychon »Amman The FFilm« about the making of the FF Amman typeface for Jordan’s capital on occasion of its centennial celebrations in 2009.
Never officially commissioned as a custom typeface, it was rather a birthday present from Syntax and Yanone for Amman, and the perfect university graduation project for Yanone. In the end, the typeface with several typographic novelties has been widely used for all kinds of municipal services in Amman. The family consists of seven sans and four serif weights, each with their true Italics and both Latin and Arabic character sets. It is one of the largest bilingual families ever made, one of the few designed bilingually from scratch and the first containing true Arabic Italics.
FF DIN Round — This welcome addition to FontFont’s most popular family brings a softness to FF DIN’s simplicity and industrial sterility. FF DIN Round is more than a “search-and-replace” rounded version of its predecessor. Albert-Jan Pool and his team redrew each letterform to maintain the structure of the original. This ensures FF DIN and FF DIN Round will work well together in logos, slogans, price tags, etc. as compatible parts of advertising campaigns and corporate identities.
FF DIN Round is not only a good companion to FF DIN, its smooth and friendly curves make it work on its own for branding strategies for family cars, bikes, household appliances, sportswear, shoes, or medical products. It’s also very legible on screen.
FF Suhmo is inspired by classic Egyptian and typewriter fonts such as Courier and American Typewriter, which feature headline and text use. This impressive duality was Alex Rütten’s guideline for the concept of FF Suhmo. At the same time, many formal details were derived from the typical neon-lettering you can find on aged Italian restaurants in Germany. FF Suhmo has short ascenders and descenders and a generous x-height, making it a good choice for editorial design. It combines simplicity and functionality with playfulness, offering interesting details such as loops and swashes and a slight stroke contrast. Its varied details are unobtrusive in text sizes while developing character and sparkle in headlines.
FF Suhmo’s extensive character set includes numerous special characters and ligatures, several figure sets and small caps throughout all styles. The family consists of 4 weights: Light, Regular, Bold and Black, each with an Italic. The weights were staggered to complement each other within a layout, the Black corresponding to the Regular and the Light corresponding to the Bold weight, allowing words or phrases to be clearly stressed within a text. The Italics are lighter than the Roman and have a relatively slight angle of slope. The forms are derived from a manual writing process and often cross the base-line or the x-height.read more