News: Tagged as FF Scala

Featured Web FontFonts, June 2013

Our featured Web FontFonts for June include Albert-Jan Pool’s bestselling superstar FF DIN, Martin Majoor’s simple and serious FF Scala and FF Scala Sans and Xavier Dupré’s sober FF Yoga Sans.

Budnitz Bicyles – FF DIN Web

Budnitz Bicycles

Budnitz Bicycles is the brainchild of entrepreneur Paul Budnitz. His company creates super-fast, light and beautiful bikes made exclusively out of titanium. Set in Albert-Jan Pool’s FF DIN Web, the website is real eye candy for cycling enthusiasts.

Falmouth University – FF Scala Sans and FF Scala Web

Falmouth University

Falmouth University based in Cornwall in South West England specializes in Art, Design, Media, Performance and Writing. Martin Majoor’s FF Scala family, including FF Scala Sans Web and FF Scala Web make an appearance throughout their website.

Klenk & Hoursch – FF Yoga Sans Web

Klenk & Hoursch

Klenk & Hoursch is a Strategic Communications agency based in Frankfurt am Main. They employ Xavier Dupré’s FF Yoga Sans throughout their site complemented by TypeTogether’s Adelle in the headers. Dupré’s FF Yoga Sans is a contemporary alternative to Gill Sans, and a sober companion to FF Yoga Serif.

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New Release | FF 62

Introducing FF Dora, a brand new design from one of the youngest and the newest FontFont designers to join the library, FF Signa Slab a delightful edition to the comprehensively developed FF Signa Superfamily and FF Scala Jewel Pro, the language extension of the decorative version to the bestselling FF Scala – this is FF 62, our newest release. 

New Designs

FF Dora

FF Dora

FF Dora was originally drawn as a graduation project at the Type and Media masters course at the Royal Academy of Art in The Hague, and was designed by editorial and book designer Slávka Pauliková. It is a headstrong type family consisting of five styles: Regular, Italic, Bold, Bold Italic, and Display. FF Dora’s construction principles – especially in the italic and display styles – are based on a detailed study of today’s handwriting styles. The main focus was on transforming handwritten shapes into a serif text typeface, not a script face. Much of the distinctive personality of the typeface is derived from this idea. FF Dora is perfectly suited to editorial design, particularly for book and magazine typography. Primarily, it is intended to be used in small sizes but FF Dora’s qualities and styles, especially the display style, bring a certain playfulness to larger sized text.

FF Signa Slab

FF Signa Slab

FF Signa Slab is the newest addition to the comprehensively developed FF Signa Superfamily designed by Ole Søndergaard. With square curves, high shoulders and a characteristically sparse construction, FF Signa Slab comes in seven weights, each with companion italics. The face includes all the necessities needed for professional typesetting such as small caps and the Pro version includes support for Cyrillic-based languages. 

Language extensions and format additions

FF Scala Jewel

FF Scala Jewel

The delightful and decorative FF Scala Jewel by Martin Majoor is now available with Pro language support (which includes Central European languages) and is also available in Web and Office formats. 

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Our top 10 most popular webfonts in-use

You may have heard that our Web FontFonts are now supported by 98% of all desktop browsers. With a tantalising typographical treasure trove of 2240 Web FontFonts, it’s sometimes tricky to decide which web font is the best fit for your online brand presence. To provide a little inspiration and help you choose, we’ve brought together a selection of in-use cases of our top ten most popular web fonts that have caught our eye recently. 

FF Meta & FF Meta Serif

Parse by HowThe marvellous FF Meta and FF Meta Serif, Erik Spiekermann’s No-Brainer, feature on this great site Parse by How. Parse is a real smörgåsbord of design content; they scour the web to bring together what they call design ‘tapas for the brain’. 

FF DIN

FF DIN in-use

One of our bestsellers and a real classic typeface, FF DIN, features on the Budget 4 Change website. The thin horizontal strokes and fluent curves of FF DIN provide a sober and solid tone to the site which is dedicated to mapping, tracking and analyzing donor government budgets against official development assistance.

FF Unit & FF Unit Slab

Typolution

Evolution, Revolution, Solution. That is the simple philosophy behind Typolution, the ‘purely’ typographical website that covers the latest developments, innovations and advancements in the industry (all in German). The site uses our very own FF Unit for the body text and FF Unit Slab for the headers, offering a cool yet disciplined tone.

FF Dax

Juventus Member

FF Dax adorns the official team fan page of the football club Juventus, the site is the go-to resource for Juventus fans to join the community of supporters and buy a subscription.

FF Scala & FF Scala Sans

VRB

The website for the VRB (Vorratsgesellschaft) organization based in Germany is set in one of the bestselling and most serious text faces, the formidable FF Scala and FF Scala Sans. The VRB offers ‘off the’ Shelf Companies and legal advice. 

FF Tisa & FF Tisa Sans

Espen Dreyer

Espen Dreyer is a Norwegian freelance photographer and his website packed full of lovely snapshots. Set in one of our most prolific Web FontFonts, FF Tisa and the recently released FF Tisa Sans

FF Kievit

Blossom

The new start-up Blossom, offers a brand new product management tool and features Mike Abbink’s FF Kievit which offers a clean and open touch to their site.

FF Clan

Red Bull Academy Radio

The website of the Red Bull Music Academy Radio really packs a punch with the use of the strong and powerful FF favorite, FF Clan which was designed by Łukasz Dziedzic.

FF Fago

Regmodharz

The mighty fine FF Fago, one of our super families designed by Ole Schäfer, provides a conscious corporate air to the online presence of the green energy project, RegModHarz.

FF Dagny

Two Arms Inc.

Two Arms Inc are a team of two, who combine illustration and design in a delightful manner. Based in Brooklyn they are famed for their passion for screenprinting. Their website employs FF Dagny, by Örjan Nordling and Göran Söderström. Great minds think alike, as we use it on our site too!

We’ve recently received some lovely examples of FontFonts in-use. Keep ’em coming! If you’ve used a FF in a recent project and you’d like to be featured on our site, please email lucy@fontfont.de.

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Swashin’ around with FF Nexus

When Martin Majoor designed FF Scala and FF Scala Sans between 1988 and 1994, the idea behind this was to design a serif, humanistic typeface from which a sans serif version would be derived. Martin called it: Two typefaces, one form principle. Ten years later, he expanded his idea of two typefaces, one form principle into four typefaces, one form principle, creating a new superfamily as a result. FF Nexus, today one of the most popular typefaces in the FontFont Library, borrows some of its structure from FF Scala, but adds the slab-like FF Nexus Mix and the monospaced FF Nexus Typewriter to the set.

FF Nexus and FF Scala

And as if FF Nexus itself wasn’t amazing enough, designer Martin Majoor made one of the styles stand out even more; FF Nexus Serif Italic comes with two additional swash alphabets:

Recently, while working on the Web FontFonts of FF Nexus, we decided to revisit the OpenType features of the OT versions as well. So our Type Department worked closely with Martin Majoor to achieve the optimum result from the revision.

“The happiest period in my type design life was when I worked on FF Nexus Serif Italic Swash. I found out that it is impossible to create one ideal series of swash capitals, so I decided to make two.”

“Even though my first typeface, FF Scala, is still more popular, FF Nexus is, in my opinion, the best typeface I have created so far. With FF Nexus Mix, I introduced a third family member in my type design philosophy, and I am happy that this slab version is not a stand-alone typeface; it feels best when accompanied by serif and sans.” says Martin Majoor.

A combination of the OpenType features Discretionary Ligatures and Contextual Swashes

FF Nexus Serif Italic: A combination of the OpenType features Discretionary Ligatures and Contextual Swashes.

It was a great challenge to translate Martin’s ideas into a well-performing OpenType font, but no matter if you prefer activating features or choosing from the glyph palette, in the end you'll see that we achieved maximum flexibility. This screencast shows you how it works:

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In-Use: FF Basic Gothic and FF Scala for TYPO Berlin 2011

As always, Europe’s biggest design conference was awaited with much eager anticipation. As always, it was a tremendous success. And, as always, the visual style of the conference was carefully scrutinized by the critical eyes of the attending designers.

Traditionally, the conference’s theme motto changes every year and is interpreted by Berlin design agency studio adhoc. This year’s motif was “Shift”. To express this concept, Magnus Hengge and his team fittingly chose FF Scala, a FontFont classic, and paired it up with FF Basic Gothic, a brand new FontFont. While FF Scala has proven its flexibility and versatility for the last 20 years, FF Basic Gothic has yet to be put to the test at all. So it was all the more delightful that they both met the challenge head-on and mastered it with flying colors.

TYPO Berlin 2011 Advertisement
Conference advertisement

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New release: FF53

BERLIN, GERMANY, June 2010 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.

The new FontFonts

FF Amman came into existence as Yanone’s graduation project at Bauhaus University in Weimar, Germany. In late 2008, Yanone set out to Amman, the capital of Jordan, following an invitation by Ahmad Humeid from the local design and branding office Syntax. They were to re-brand the capital’s municipality in preparation of Amman’s centennial celebrations.

FF Amman Sans Pro

First and main part of Yanone’s diptychon »Amman The FFilm« about the making of the FF Amman typeface for Jordan’s capital on occasion of its centennial celebrations in 2009. 

Never officially commissioned as a custom typeface, it was rather a birthday present from Syntax and Yanone for Amman, and the perfect university graduation project for Yanone. In the end, the typeface with several typographic novelties has been widely used for all kinds of municipal services in Amman. The family consists of seven sans and four serif weights, each with their true Italics and both Latin and Arabic character sets. It is one of the largest bilingual families ever made, one of the few designed bilingually from scratch and the first containing true Arabic Italics.

FF DIN Round Pro

FF DIN Round — This welcome addition to FontFont’s most popular family brings a softness to FF DIN’s simplicity and industrial sterility. FF DIN Round is more than a “search-and-replace” rounded version of its predecessor. Albert-Jan Pool and his team redrew each letterform to maintain the structure of the original. This ensures FF DIN and FF DIN Round will work well together in logos, slogans, price tags, etc. as compatible parts of advertising campaigns and corporate identities.

FF DIN Round is not only a good companion to FF DIN, its smooth and friendly curves make it work on its own for branding strategies for family cars, bikes, household appliances, sportswear, shoes, or medical products. It’s also very legible on screen.

FF Suhmo Pro

FF Suhmo is inspired by classic Egyptian and typewriter fonts such as Courier and American Typewriter, which feature headline and text use. This impressive duality was Alex Rütten’s guideline for the concept of FF Suhmo. At the same time, many formal details were derived from the typical neon-lettering you can find on aged Italian restaurants in Germany. FF Suhmo has short ascenders and descenders and a generous x-height, making it a good choice for editorial design. It combines simplicity and functionality with playfulness, offering interesting details such as loops and swashes and a slight stroke contrast. Its varied details are unobtrusive in text sizes while developing character and sparkle in headlines.

FF Suhmo’s extensive character set includes numerous special characters and ligatures, several figure sets and small caps throughout all styles. The family consists of 4 weights: Light, Regular, Bold and Black, each with an Italic. The weights were staggered to complement each other within a layout, the Black corresponding to the Regular and the Light corresponding to the Bold weight, allowing words or phrases to be clearly stressed within a text. The Italics are lighter than the Roman and have a relatively slight angle of slope. The forms are derived from a manual writing process and often cross the base-line or the x-height.

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