News: Tagged as FF Quadraat Sans

New Release: FF 61

A brand new design ideal for modern devices, two long awaited and highly anticipated extensions and a whole host of language updates and new Office and Web versions – say hello to FF 61, our latest release.

New design

FF Videtur

FF Videtur

FF Videtur is based on bitmap fonts that were created by Axel Bertram, one of East Germany’s most legendary designers, for the state television broadcaster GDR-TV. Bertram spent a great deal of time researching and testing the display conditions of 625-line television screens. His findings prompted the creation of Videtur, a functional open serif with moderate contrast and a highly unique shape. Fast forward two decades later and with a helping hand from FontFont’s Head of Type, Andreas Frohloff, the whole character set has been completely re-drawn and reinvigorated. The best characteristics of the earlier forms were kept but the typeface’s vertical proportions, serif shape, and stroke contrast have been carefully reconsidered.

Revamped, new weights and new language support

FF Netto

FF Netto

We are delighted to introduce the new completely revamped and updated FF Netto. Daniel Utz’s no frills spurless sans serif has been one of the FontFonts of choice, particularly on the web, ever since its release back in 2008. The new FF Netto has slightly increased spacing, revised curves and connections and two new extreme weights, the delicate and sinewy Thin and the confident and chunky Black. As if this wasn’t enough, Daniel Utz with help from the Type Team have also added new italics for all weights and Pro language support.

New weight

FF Quadraat Sans

FF Quadraat Sans 

Following the redesign of Fred Smeijers’ classic FF Quadraat last year, we bring you FF Quadraat Sans Black, a brand new weight to pack a punch on the bold end of the spectrum.

Language extensions and format additions

Our entire Premium Tier is now available in Pro, Offc and Web formats. So, now you can bring consistency and typographical finesse in more languages and across more applications/platforms.

FF Absara

New:  FF Absara Pro, FF Absara Sans Pro, FF Absara Headline Pro, FF Absara Sans Headline Pro + Offc + Web

FF Absara

FF Cellini

New: FF Cellini Offc & Web

FF Cellini

FF Chambers Sans

NewFF Chambers Sans Pro

FF Chambers

FF Disturbance

New: FF Disturbance Pro

FF Disturbance

FF Enzo

New: FF Enzo Pro

FF Enzo

FF Kosmik

New: FF Kosmik Pro & Offc & Web

FF Kosmik

FF Letter Gothic

New: FF Letter Gothic Mono ProFF Letter Gothic Text Pro & Offc & Web (for each)

FF Letter Gothic

FF Magda

New: FF Magda Pro

FF Magda

FF Megano

New: FF Megano Pro & Offc & Web

FF Megano

FF Quadraat Headliner

New: FF Quadraat Headliner Pro

FF Quadraat Headliner

FF Speak

New: FF Speak Pro

FF Speak

FF Super Grotesk

New: FF Super Grotesk Pro

FF Super Grotesk

FF TradeMarker

New: FF TradeMarker Pro

FF Trademarker

FF Transit

New: FF Transit Pro

FF Transit

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New release: FF59

It is with much anticipation and excitement that we announce our 59th release. With three brand new designs, one extension and a whole array of new Offc, Web and Pro versions of some of our classic FontFonts; FF 59 is one of our biggest releases yet.

The new designs

FF Scuba

FF Scuba

FF Scuba is a legible contemporary sans with a distinctive character. Searching for an offline companion for Verdana and not finding the exact tone he was looking for, designer Felix Braden set off to develop a new series of types. The resulting family is a bit tighter and more condensed than Verdana. In small sizes FF Scuba blends well with Verdana, and in display sizes it reveals its particular originality. The design combines constructed letters, like an almost rectangular o, with dynamic strokes and other elements referring to writing. This mix gives the typeface a lively touch, while still keeping true to its technical roots.

For a limited time, FF Scuba Regular is available for free download in OT and Web formats. Download it on the Goodies page.

FF Tisa Sans

FF Tisa Sans

FF Tisa Sans is Slovenian designer Mitja Miklavčič’s follow-up typeface to FF Tisa. Whether used together or separately, both of his families are excellent choices for branding projects and complex editorial applications. The original FF Tisa is one of the new-millennium favorites in the FontFont library—known for its sturdy and friendly forms, hence its common use in newspapers and magazines.

In all important details, FF Tisa Sans matches FF Tisa perfectly. Aside from the lack of serifs, the Sans features slightly reduced ink traps. Necessary system elements have been fine-tuned to one another, including  the color density of blocks of text, the proportions of the letterforms and their distinctive stroke endings, and even the eye-catching Italics. Of course, the FF Tisa Sans character set contains the same range of characters and typographic features as the original FF Tisa, too. Since FF Tisa Sans should prove quite suitable for signage and information design projects, Miklavčič included a range of specially designed arrows in each font as well.

FF Chartwell

FF Chartwell

Designed by Travis Kochel, FF Chartwell is a fantastic typeface for creating simple graphs. Driven by the frustration of creating graphs within design applications and inspired by typefaces such as FF Beowolf and ­­FF PicLig, Travis saw an opportunity to take advantage of OpenType technology to simplify the process.

FF Chartwell (Pies, Lines, Bars) was originally released in 2011 under the TK Type foundry. In 2012, it was added to the FontFont library with the addition of four new chart styles, the ­­ Polar Series as well as Bars Vertical.

The Polar Series (Rose, Rings, and Radar) is a set of new designs, which take on the form of more experimental charts. In an effort to make the charts smarter and more dynamic, each design reacts not only to the data entered, but the number of values.

Find out how to use FF Chartwell and download the User Manual.

Updated and extended FontFonts

FF Meta Serif: Light and Extra Bold

 

FF Meta Serif

Following the Greek/Cyrillic language update to FF Meta Serif in FF 58, we’ve now added two new weights to FF Meta Serif—Light and Extra Bold.

New Pro versions

Pro FontFonts enjoy the distinction of extended language support and ease of use, affording the typographer the ability to set text in a much broader range of languages. All Pro FontFonts include Extended Latin (Central European) characters, but may additionally support Cyrillic, Greek, or other/additional scripts. The following FontFonts now include Pro language support and thus speaking 36 Latin-based languages more.

FF Blur

FF Blur Pro by Neville Brody

FF Legato

FF Legato Pro by Evert Bloemsma

FF Magda Clean

FF Magda Clean Pro by Cornel Windlin, Critzla and Henning Krause

FF Market

FF Market Pro by H. A. Simon

FF Max Demi Serif

FF Max Demi Serif Pro by Morten Olsen

FF Meta Headline

FF Meta Headline Pro by Erik SpiekermannChristian Schwartz and Josh Darden 

FF Prater

FF Prater Pro by Henning Wagenbreth  and Steffen Sauerteig

FF Quadraat and FF Quadraat Sans Mono

FF Quadraat Display Pro & FF Quadraat Sans Mono by Fred Smeijers 

FF Schulbuch

FF Schulbuch Pro by Just van Rossum

FF Strada & FF Strada Condensed

FF Strada Pro & FF Strada Condensed Pro by Albert Pinggera

New Office and Web FontFonts

We are continually updating our library to ensure that our FontFonts are in the most up to date and useable formats. With our latest release, we’ve updated a whole host of our portfolio for the use on the web, among them classics such as FF Strada, FF Legato, FF Transit, and FF Schulbuch.

All these faces additionally come in Offc versions, fonts tuned to work best in programs like Microsoft Word or PowerPoint.

FF Blur

FF Blur Offc Pro/Web Pro by Neville Brody

FF Eureka, FF Eureka Sans & FF Eureka Sans Condensed

FF Eureka Offc Pro/Web Pro, FF Eureka Sans Offc Pro/Web Pro and FF Eureka Sans Condensed Offc Pro/Web Pro by Peter Biľak

FF Fago Correspondence

FF Fago Correspondence Sans Offc Pro/Web Pro and FF Fago Correspondence Serif Offc Pro/Web Pro by Ole Schäfer and Andreas Eigendorf

FF Legato

FF Legato Offc Pro/Web Pro by Evert Bloemsma

FF Magda Clean

FF Magda Clean Offc Pro/Web Pro by Cornel Windlin, Critzla and Henning Krause

FF Market

FF Market Offc Pro/Web Pro by H. A. Simon

FF Max & FF Max Demi Serif

FF Max Offc Pro/Web Pro & FF Max Demi Serif Offc Pro/Web Pro by Morten Olsen

FF Meta Headline

FF Meta Headline Offc Pro/Web Pro by Erik SpiekermannChristian SchwartzJosh Darden 

FF Prater

FF Prater Offc Pro/Web Pro by Henning WagenbrethSteffen Sauerteig

FF Quadraat and FF Quadraat Sans Mono

FF Quadraat Display Offc Pro/Web Pro & FF Quadraat Sans Mono by Fred Smeijers 

FF Schulbuch

FF Schulbuch Offc Pro/Web Pro by Just van Rossum

FF Seria & FF Seria Sans

FF Seria Offc Pro/Web Pro & FF Seria Sans Off Pro/Web Pro by Martin Majoor

FF Strada & FF Strada Condensed

FF Strada Offc Pro/Web Pro & FF Strada Condensed Offc Pro/Web Pro by Albert Pinggera 

FF Transit

FF Transit Offc Pro/Web Pro by MetaDesign

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Faces and characters in our Type Department

 Our Type Department
The FontFont Type Department (l-r: Jens, Andreas, Inka, Christoph)

Have you ever wanted to find out about the faces and characters in our Type Department? In January, for our ‘Not Quite An Annual Report’ we interviewed Andreas, Christoph, Inka and Jens, to find out about their favorite FontFonts, their taste in music and what their biggest challenges last year were. Here’s the interview in full.

Andreas Frohloff | Head of Type Department

  • If you were a FontFont which one would you be and why?

FF Amman because the family is well designed in the sense that it’s not so digital smooth and glossy. The characters of the fonts have character :)

FF Amman

  • What’s your favorite music?

I like a broad range of music e.g. Jethro Tull, Neil Young, Keb’ Mo’ or Norah Jones …

  • What was the biggest challenge for you in 2011?

The biggest challenge was to successfully perform the calligraphy workshops at TYPO London.

Inka Strotmann | Chief Font Technician

  • If you were a FontFont which one would you be and why?

I would be FF Schmalhans Bold. FF Schmalhans is a very condensed typeface with a large x-height and was first drawn in the 70s. Like me, I was born in the 70s. I have wide legs, I am not really fat but I am broad in the beam so I look like condensed bold. Schmalhans is very clear and I am also very straight in the things I like to do.

FF Schmalhans

  • What’s your favorite music?

My favorite band is, for over 20 years now, Current 93.

  • What was the biggest challenge for you in 2011?

I had to draw my first uppercase German double s. It will be interesting to see if this glyph will be used and which form will be the favorite.

My big private event in this year was my first individual time trial. I trained a lot with my triathlon bike to achieve a good result and I was very happy with my time at the end.

Christoph Koeberlin | Font Technician

  • If you were a FontFont which one would you be and why?

FF Quadraat Sans SC Web Pro Condensed Extralight Italic, DirectWrite rendered at 31 px—for obvious reasons!

FF Quadraat Sans

  • What’s your favorite music?

Gebrüder Marx, currently.

  • What was the biggest challenge for you in 2011?

Answering these questions!

Jens Kutilek | Font Technician

  • If you were a FontFont which one would you be and why?

I actually had to ask my wife about this, it’s always hard to compare yourself to something like a typeface … I would be FF Spinoza. At first sight, it looks quite sober and not very fancy, but once you get to know it better, you will discover interesting details and how it can take you a long way. I’m also more book than display type. FF Spinoza

  • What’s your favorite music?

My all-time favorite band has to be The Magnetic Fields, for their stylistic experiments and unparalleled lyrical wit. Earlier this year I kept listening to the various Johnny Cash concerts recorded in prisons. It was fascinating how different the atmosphere and performances were between them.

  • What was the biggest challenge for you in 2011?

To move into a new flat. I had completely forgotten how time-consuming and work-intensive that was.

To see the team in action, check out the following video:

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New Release: FF58

BERLIN, GERMANY, December 2011 – FontShop International announced the latest additions to its award-winning FontFont® typeface library.

New Design

FF Ernestine

FF Ernestine

FF Ernestine was born from the search for a versatile monoline text typeface that would feel warm yet serious, feminine yet firm, charming yet sturdy. This resulted in a strong slab serif with playful ball terminals. Its rather large x-height and wide, open shapes enable it to work well down to small sizes; ligatures, stylistic and contextual alternates, a selection of arrows, and two sizes of small caps enrich its typographic palette.

Nina Stössinger first drew the Roman as a study project at the postgraduate Type Design programme in Zurich, and the Italic in dialogue with Hrant Papazian’s Armenian design. Both the Roman and the Italic (which doubles as a harmonious companion to the Armenian component) are available in four individually drawn weights. The four corresponding Armenian weights, nicknamed “Vem” —integrated in the Roman and Italic fonts in the Pro version— share the personable character of the family with proportions optimized for the Armenian script.

Updated and Extended FontFonts

After fonts are released, work continues behind the scenes to improve and extend the usefulness of the faces with the addition of new weights and greater language support. FontFont is pleased to announce extensions to the following typefaces, available immediately.

FF Quadraat and FF Quadraat Sans: Revised and Extended (New Weights, Pro Language Support Including Cyrillic)

FF Quadraat

Fred Smeijers has completely overhauled his most popular superfamily. Both FF Quadraat and FF Quadraat Sans get a noticeable update to their designs. FF Quadraat also adds a new weight, Demi Bold, to the family, FF Quadraat Sans and Sans Condensed now come in the additional weights Thin, Extra Light, Light and Demi Bold. They are now available as Pro versions, including support for both the Latin Extended and Cyrillic character sets.

Learn more about the revised FF Quadraat superfamily in this special specimen PDF (2.8 MB).

Download specimen PDF (2.8 MB).

FF Meta Serif: Extended Language Support (Cyrillic & Greek)

FF Meta Serif

FF Meta Serif by Erik Spiekermann, Christian Schwartz and Kris Sowersby now speaks more languages with glyph support extended to cover Cyrillic and Greek alphabets. FF Meta Serif joins its popular sans companion, FF Meta, in offering this broad range of linguistic ability.

FF Signa: Extended (New Weights)

FF Signa

Ole Søndergaard continues to expand his popular super family FF Signa with another addition. The face adds six fonts in three new weights: Extra Light, Extra Black, and Ultra, each with its italic companion. They all support Cyrillic.

New Office and Web FontFonts

FF QType

FF QType by Achaz Reuss offers its additional weights, Compressed, Condensed, Extended, and Semi Extended in new formats, Office and Web. Just a refresher: Offc FontFonts are the best choice for all who work with the widely-used Office apps like Word®, Excel® and PowerPoint®. Pro means that it also supports additional languages (Latin Extended).

FF Skill Sets: The Right Fonts for All Purposes

With thousands of FontFonts to choose from, the options can be as daunting as they are exciting. So let the experts do the work for you. Typography masters Erik Spiekermann and Jürgen Siebert handpicked the best FontFonts, and compiled them in three Skill Sets — for advertising, editorial, and corporate design. Simply select which Skill Set best suits your practice, and you can start designing without fuss. Not only will you have all the right fonts licensed in one collection, you’ll save a bundle of cash too.

Learn more about FontFont Skill Sets here.

FontFont Library Tiers

Introducing FontFont Library Tiers: Premium, Collection and Free

In an effort to minimize the amount of time customers spend choosing fonts, we have split our library into three distinct tiers, dubbed the FontFont Library Tier system. Watch out for further information that will come in another post next week.

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New release FF52: A new era for web design

Typographic diversity – A new era for web design

BERLIN, GERMANY, February 2010

A more diverse and beautiful web is about to unfold. The latest release of the FontFont® typeface library marks the beginning of a new era for typography – FSI FontShop® International is introducing the first ever stand-alone FontFonts for the web. Finally web designers can use professional typefaces for their projects without relying on system fonts or webfont services. This long-awaited step enables a more seamless and effective transition from print design to the web. More than 30 of the most successful FontFont families are available now as Web FontFonts, including FF DIN®, FF Meta®, FF Dax®, and FF Kievit®. More will follow soon.

First Web FontFonts

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New release: FF51

BERLIN, GERMANY, December 2009 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.

The new FontFonts

FF Yoga Pro
FF Yoga Sans Pro

Xavier Dupré’s FF Yoga family is a type system conceived to work for newspapers and magazines thanks to its strong personality and good legibility. The Serif weights with their sturdy serifs are a good choice for body text, but they also serve as an original headline face with their subtly chiseled counters inspired by blackletters. FF Yoga mixes the harshness of blackletters with the balanced rhythm and round shapes of the Garalde typefaces. FF Yoga Sans is a contemporary alternative to Gill Sans and a sober companion to Yoga Serif.

FF Mister K Dingbats OT

FF Mister K Dingbats are the newcomers to Julia Sysmäläinen’s FF Mister K family, a script typeface based on Franz Kafka’s manuscripts. It started with Finnish illustrator Oili Kokkonen creating some pretty funny cartoon characters using letterforms of FF Mister K Regular. Soon after, the design of almost 600 pictograms was on its way. All are based on glyph parts of the Regular with which they make a very good match.

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New release: FF46

These are the latest additions (release 46) to the FontFont library:

FontFont Release 46

New FontFonts and extensions

FF Chambers Sans OT by Verena Gerlach – Verena Gerlach’s experiment with oppositional styles resulted in this combination of static grotesque forms and the dynamic forms of a traditional antique typeface. The weights and italics are finely balanced so that it is especially suitable for setting books, but its frugal originality is also appropriate for use in large sizes like in poster design. The type family contains a range of alternate characters, small caps, ligatures, and (in the Regular weight) swashed initials, making it a versatile typographic tool.

FF Enzo OT 1 by Tobias Kvant – Inspired by a variety of styles, both past and present, FF Enzo is a lively multi-weight sans serif. Its extremely large x-height, and short ascenders and descenders make it a powerful headline face, ideal for magazines, posters and such, but it will work fine for body text as well. The family includes italics, tabular figures and four sets of small figures. FF Enzo is the first major typeface from Sweden’s Tobias Kvant, yet it demonstrates a great deal of understanding and skill. We expect to see more in the future from this fine young talent.

FF Max Pro 3 by Morten Olsen – It’s always been popular, but Morten Olsen’s FF Max is due for a major resurgence in today’s design landscape of square forms and rounded edges. The typeface is as fresh now as it was when it was released five years ago, and now it’s even more flexible thanks to two new weights at either end of the family: Extra Light and Fat.

FF Netto OT by Daniel Utz – With FF Netto, Daniel Utz has stripped letters of any historical detail, leaving them with the barest, clearest forms possible. This makes FF Netto ideal for wayfinding, where quick recognition is essential. A series of simple and useful icons and arrows add to its utility for information design, and intelligent borders let you group the pictograms using just a few keystrokes.

[ Link missing ] by Fred Smeijers – A new FF Quadraat Sans weight: Bold Italic

FF Trixie HD Pro Light by Erik van Blokland – Since its release in 1991, from “The X-Files” to “Atonement”, FF Trixie has served as the defacto typeface of mystery and intrigue. For years, it was the most convincing typewriter font available, but FontFont veteran Erik van Blokland was not satisfied. Early printing and operating systems could only handle so many points per font, so FF Trixie’s outlines weren’t as realistic as he wanted. Enter OpenType. Now that technology has caught up with his vision, Van Blokland has thrown everything he can at it. The new FF Trixie offers Rough variations that have more detail for use at larger sizes, yet keep the same overall shape as the originals. But the real advancement is found in FF Trixie HD, which contains seven alternates for each character, each with its own weight and texture. Just like typewritten forms, the letters dance on the baseline and reveal the effect of ink on the ribbon. Van Blokland didn’t stop there. Playing with OpenType’s ability to automatically substitute glyphs, he added a variety of clever effects such as more erratic baseline shifting, faux Greek and Cyrillic, and censor simulation. FF Trixie HD sets a new standard for detail and artificial intelligence. We can safely say no digital font comes closer to emulating a mechanical typewriter. The OT package contains all the features above. Go Pro for CE, Greek, and Cyrillic support.

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