News: Tagged as FF Nelio
For the past few months, we’ve brought together our favorite FontFonts from our Collection Tier and top tips for a particular intended use. With only a few days to go until we head off on our festive break, we couldn’t help but tackle the typographical heights of FontFonts suitable for festive occasions. So grab a mulled wine and a mince pie and feast your eyes on these festive fancies.
Showings and images by Angelo Stitz,
except FF Elegie: Image by Tobias Titz/fStop (1009056)
Holidays and celebrations have a steady stock of traits to fall back on. These give you excellent opportunities to explore new script fonts, fat faces, or Old English types. Really, anything that looks traditional is likely to be a nice fit. You can also run wild with pastiche or kitsch – letters that look like they are made of candy canes, leaves, ribbons or snowflakes are fair game.
Type for festive occasions often takes the form of text to be looked at, rather than actually read. Don’t go the safe route and pick a face that looks too much like something for a book. Go ahead and let your type call attention to itself; there is no need to be too text-y.
Most important of all, be sure to pick something that feels cheerful; nothing brings down an invitation like a typeface that is too dreary or formal. Your fonts won’t be the only element of an upbeat design, either. Color will surely play a role, as will illustration or other imagery. Fonts with holiday ornaments can help in a pinch, too.
Catch up on our previous intended use posts:
- Best Collection Tier FontFonts for music and nightlife
- Best Collection Tier FontFonts for sports
- Best Collection Tier FontFonts for book text
- Best Collection Tier FontFonts for logo, branding and corporate identity
- Best Collection Tier FontFonts for advertising and packaging
BERLIN, GERMANY, April 2009 — FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.
The new FontFonts
FF Dingbats 2.0 OT — The original FF Dingbats font package was designed in 1993 when there was no other symbol font available except Zapf Dingbats. The FF Dingbats package was the first with some 800 symbols and icons from the world of modern communication: faxes, ISDN, disks, keyboards … all absolutely usable. But over the following years times have been changing and quite a lot of pictograms for office communication are no longer needed – no-one uses floppy disks nowadays – or simply changed their appearance, so Johannes Erler and Henning Skibbe started a complete redesign two years ago.
All pictograms have now been revised and adjusted according to the current stylistic vocabulary. Arrow and number fonts have been reworked and extended as well. All symbols have been sorted into clear categories, and the font “Strong Forms” includes the most needed symbols in a bolder version. Besides this, many symbols can be layered and coloured via an easy-to-use layering feature (see FF Dingbats 2.0 info guide PDF). All this makes FF Dingbats 2.0 a state-of-the-art font package again and probably the largest collection of contemporary symbols and icons for office communication.
FF Milo® was started in 2000 with the goal of a compact typeface with very low ascenders and descenders. Because of its compact design FF Milo is a workhorse typeface suitable for magazine and newspaper typography. It has modern bones with a touch of detail for distinction (especially in the italics). The name Milo is from a resilient grain and that's why the designer chose this name for the typeface. He wanted it to be a basic usable font like corn or grain is to any culture.
With the help of Paul van der Laan for kerning, spacing and production, Michael Abbink developed FF Milo Serif as a companion to the Sans, but it is also perfectly suitable as a stand alone typeface or used together with any other sans serif typeface. Like FF Milo, FF Milo Serif is a text face with the utmost legibility, perfect for setting newspapers and magazine copy. Although rooted with historical attributes it is truly a contemporary face. FF Milo Serif comes with SC, TF, OSF, LF as well as a wealth of ligatures. Like the Sans, FF Milo Serif is also a resilient grain!
FF Seria® Arabic, originally called Sada, by designer Pascal Zoghbi, is an Arabic type companion to FF Seria, designed in the nineties by Martin Majoor. The Arabic type family was part of the Typographic Matchmaking 01 project organised by the Khatt Foundation. Echo, which means “Sada” in Arabic, is the repetition of a sound caused by the reflection of sound waves from a surface. Accordingly, Sada/Seria Arabic is the echo of FF Seria. FF Seria Arabic is a young crispy type based on the Arabic Nasekh style. The Regular and Bold are text typefaces, the Light is both display and text type, while the Black is purely a display typeface.read more