News: Tagged as FF Mark
PAGE is one of the leading design publications in Germany for creatives and professionals in design, advertising and media.
Working in conjunction with the agencies digitalmobil and SQUIECH Design, the team has recently overhauled their online presence. Both their print and online publications have been set in FontFonts including FF Mark and FF Quadraat, bringing a fresh, contemporary yet timeless look to the brand.
Combining the new with the old and with its roots firmly seated in 1920s German geometry, FF Mark has seen a meteoric rise since it’s release in 2013. Designed by Hannes von Döhren and Christoph Koeberlin, it was a special project initiated by Hannes and FontFont with input from Erik Spiekermann and the FontFont Type Department. Strong, simple and bold, and crafted with the utmost consideration and perfection (aka German Engineering), it is “ze Germanetric sans”. In the print magazine the headers are set in a variety of weights of FF Mark, whilst the whole website is set in FF Mark Web.
In the print magazine the body text is also set in another famous FontFont — Fred Smeijers’s FF Quadraat. One of the earliest typefaces to join our library it has become a go-to choice for many editorial designers.
Photos by Alex Rothpermalink
A couple of weeks ago, we were invited to attend the International Typographic Awards ceremony in Bexhill hosted by the International Society of Typographic Designers (ISTD). It was a record win for FontFont. Four of our newer typefaces, FF Ernestine by Nina Stössinger, FF Mark by Hannes von Döhren and Christoph Koeberlin, FF Quixo by Frank Grießhammer and FF Antithesis by Yanone, were all awarded a Certificate of Excellence.
The ISTD is an international society whose mission is to raise awareness and interest in all forms of typographic communication. Promoting typographic standards and excellence, their awards are one of the most highly sought after accolades in the industry. Huge congratulations to all our FontFont Designers!
FF Antithesis by Yanone – The smallest super family ever.
FF Ernestine by Nina Stössinger – feminine, but not too girly – charming and sturdy at the same time.
FF Mark by Hannes von Döhren and Christoph Koeberlin: Ze new Germanetric sans.
FF Quixo by Frank Grießhammer: an onomatopoeic typographic exaggeration.permalink
This great reinterpretation of FF Mark features in a project that looks at the construction of a fictional Hungarian Guggenheim in Budapest whilst asking the question: How would it take shape in today’s Hungary?
During the three stages of the project, FF Mark is transformed into a folding alphabet, giving a whole new look to one of the most popular typefaces in the FontFont library.
Take a look at the whole project here.
About FF Mark
FF Mark is a self-initiated collaboration between Hannes von Döhren, FontFont’s very own Christoph Koeberlin, and the entire FontFont Type Department. With the creative support/input of no less than Erik Spiekermann, they designed this distinctive typeface. FF Mark is strong, simple and bold in form and at a glance may appear to be typical of its predecessors from the time. On closer inspection, letter shapes are wider, letter proportions are better balanced and the x-height is uncharacteristically “normal” or higher, which increases its versatility tremendously.
FFMark.com is the microsite alternative to a normal font sample for FF Mark, providing a greater insight into the capabilities and background of the typeface.
FF Mark — “Ze Germanetric sans” has most recently been used in this beautiful reprint, by Przemek Dębowski and printed by Polish publishing house Karakter, of a collection of essays by the founder of the Bauhaus, Walter Gropius. Gropius’ “The Scope of Total Architecture” was originally written at a the time of an industrial boom during the early 20th Century, a time that bears a lot of influence on FF Mark — an up-to-date typeface rooted in 1920s German geometry. As a family that maintains the integrity of tradition but in a contemporary context, FF Mark is the ideal type partner to this collection of essays that are is still considered to be applicable to modern architecture today.
For these images and more head to the FontFont Behance page.
About FF Mark
FF Mark is a self-initiated collaboration between Hannes von Döhren, FontFont’s very own Christoph Koeberlin, and the entire FontFont Type Department. With the creative support/input of no less than Erik Spiekermann, they designed this distinctive typeface. FF Mark is strong, simple and bold in form and at a glance may appear to be typical of its predecessors from the time. On closer inspection, letter shapes are wider, letter proportions are better balanced and the x-height is uncharacteristically “normal” or higher, which increases its versatility tremendously.permalink
Our next ‘In-Use’ case comes from a Kickstarter project for the world’s first wireless smart in-ear headphones known as The Dash. With the ability to hold a 1000 songs, built-in performance tracking and body sensors, The Dash looks to be the future in headphone technology.
As a kickstarter project the website is required to attract as much attention as possible, making the strong, bold and eye catching FF Mark the perfect typeface for drawing in potential investors.
FF Mark was designed by Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department. Born from the idea to create an up-to-date typeface rooted in 1920s German geometry, the typeface is strong, simple and bold in form and at a glance may appear to be typical of its predecessors from the time.
We are excited to announce that the Type Directors Club (TDC) have given both the FF Mark microsite and Frank Grießhammer’s FF Quixo a “Certificate of Typographic Excellence” in their categories, with FFMark.com in the Communication Design category and FF Quixo in Typeface Design.
About the TDC Awards
The TDC annual competitions highlight the best in typographic work in both communication and typeface design the world over. To be awarded is considered a prestigious achievement within the typographic industry.
The TDC Typeface Design Competition is the seventeenth annual typeface design competition, where all winners will be included in the Annual of the Type Directors Club, Typography 35. Only 24 entries of nearly 200 submitted from 29 countries were selected by the jury.
Winners of the TDC Communication Design Competition receive the “Certificate of Typographic Excellence” and are included in the Annual of the Type Directors Club, Typography 35, as well as being shown at the 60th Awards Exhibition in New York. 209 entries out of over 2000 entries from 43 countries were selected in this year’s competition.
Furthermore, all sucessful entries of both competitions will be featured in seven exhibitions touring cities across the United States, Canada, France, England, Germany, Hong Kong, Japan, South Korea, Russia, Spain, Thailand, Taiwan, and Vietnam.
About FF Mark and FFMark.com
Created with versatility in mind, FF Mark was devised by Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department. Breaking from tradition with a family of 10 weights ranging from Hairline to Black FF Mark’s extreme weights are “engineered” to shine bright in large sizes and middle weights optimized for body copy.
FFMark.com, which marked the launch of the new typeface, was designed by the FontFont marketing team and developed by Rob Meek. Built with the aim of giving users a better understanding of the typeface the site gives an indepth insight into FF Mark’s look and feel on and offline, its background, examples and usage suggestions.
About FF Quixo
FF Quixo is the brainchild of Frank Grießhammer’s graduation project at the Type and Media program at KABK Den Haag. Exploring pointed-pen calligraphy, he decided to take on the style in a more casual manner, interpreting the model with different-sized brushes.permalink
We are pleased to announce that the Type Directors Club (TDC) have given recognition to the FFMark.com microsite with a “Certificate of Typographic Excellence” in the TDC Communication Design competition.
Whilst the new FF Mark was formed as a reinterpretation of a classic Geometric sans, FFmark.com was created as a modern design of a digital specimen. Created as part of the FF Mark release the idea behind the site was to replace a standard font sample with something deeper, more interactive, informative and playful.
Unlike a normal font sample FFMark.com provides a greater insight into the capabilities and background of FF Mark. Some of the key features on the site include:
- FreeFönt download
- A new way of comparing weights
- Interactive Type Sampler
- Interactive mockup generator: Test and preview the typeface across
various different media formats and application
- A historical look into classic geometric sans
From here they went on to work with FontFont’s marketing team, fronted by Alexander Roth, to design FFMark.com, utilising an analogue approach of sketches as opposed to designing straight into digital format.
Once the final sketches were complete only then was the final artwork digitalised and passed to the development wizard, Rob Meek who created the site over a period of two weeks.
The sketches below from the early stages of the site design represent only the inventory of elements and features without any serious attempts to design them at this stage and so should be viewed as neither beautiful, nor ugly but simply useful.
Full screen video
Realtime blur/unblur while scrolling
Character set overview
Supported OpenType features
World clock adapts to day and night
Overlay all weights at once
Interactive mock-up generator
Historical essay on geometric sans serifs
Study of possible positions for navigational elements and ideas for interaction with the FF Mark font on the microsite.
Inventory of icons and their possible position.
Navigation is crucial. It took a while until we came up with a satisfactory solution.
Thoughts on the functions of the mock-up chapter.
Overview of the featured elements such as bookjacket, poster, website and a mobile device.
The very first storyboard for the chapters of the microsite and their functions.
Navigation and chapters.
From the beginning it was clear that we wanted provide a powerful type tester which includes sliders for the font size and leading. As well as an image upload feature and a weight overlay functions to compare different individual weights or all at once.
Thoughts on how to present the numeral sets aside from sober overviews.
For people who are interested in using FF Mark on printed matter, a high quality downloadable PDF specimen was created. It provides an extensive overview of all weights and styles.
Ideas for the opening video.
Storyboard for the opening video which was filmed by Max Zerrahn.
Bench is a new kind of bookkeeper. Ideal for independent businesses, it is a standout in the market as it combines the service of task automation together with an actual accountant or bookkeeper. Simple, strong and contemporary, the versatility of FF Mark combined with the great FF Meta Serif is a terrific pairing for this smart, responsive and modern online business.
SAE IT-systems is one of the leading innovators in the field of substation automation, telecontrol and communal communication in infrastructure applications. Felix Braden’s FF Scuba, a distinctive, clean and flexible contemporary sans, is a fine fit for this community of specialists in energy management.
Earlier this year German brand powerhouses ADAC (Allgemeiner Deutscher Automobil-Club e.V.) and Deutsche Post joined forces to establish ADAC Postbus. Coined as “the bus for Germany”, the ADAC Postbus site is set in Mike Abbink and Paul van der Laan’s contemporary and timeless FF Kievit which has recently been extended with a Slab version.permalink
FF63 saw a FontFont milestone with the App+ license and this latest release is just as much an occasion as the last. With two brand new designs and Cyrillic language updates to three of our Pro packages, we have been counting down the days in high anticipation – we are simply super thrilled to bring you FF64.
New meets old meets technic, FF Mark is more than just an average geometric sans. A special type project, Ze new Germanetric sans is a collaboration by Hannes von Döhren, Christoph Koeberlin, and the FontFont Type Department with creative support from Erik Spiekermann.
True to geometric tradition yet contemporary for today’s needs, the family of 10 weights ranging from Hairline to Black is designed with versatility in mind. Extreme weights have been engineered to shine bright in large sizes and middle weights optimized for body copy.
And to mark the launch of FF Mark, we are launching a new microsite to showcase and celebrate the thinking and creative process behind the typeface. Discover, interact with and download the exclusive Free Fönt at www.ffmark.com.
Four years in the making and designed with utmost precision Mike Abbink and Paul van der Laan’s latest expansion of the FF Kievit superfamily has arrived.
The long-anticipated FF Kievit Slab has been carefully adjusted and fine-tuned in width and contrast to help make it an extremely robust and elegant typeface.
Typographical finesse has been delivered in the form of small caps, old style, lining, and tabular figures, and a mountain of OpenType glory.
The entire superfamily is well suited for editorial and book design, packaging and superfit for corporate branding and creative industries.
Language Extensions & Updates
Talk in even more type tongues with welcomed Cyrillic updates for FF Mister K Regular, FF Mister K Informal, FF Profile and FF Tisa Sans. Our extensive library also offer fonts for several scripts aside from Latin, including Greek, Arabic, Hebrew and even Armenian.permalink