News: Tagged as FF Lancé
In July, we launched our Collection Tier FontFont Blog series. Each month, we will be sharing our top picks from our Collection Tier suitable for particular intended use with a few handy hints to boot! Inspired by London 2012, next up in our series are our ‘Olym-picks’ – a round-up of our favorite Collection Tier FontFonts suitable for Sports.
Image: Caspar Benson/fStop (677042)
Image: Tobias Titz/fStop (577019)
Image: Andreas Schlegel/ƒStop (862020)
Image: Carl Smith/ƒStop (1123030)
Image: Adam Burn/ƒStop (605010)
Image: Brian Cassie/ƒStop (1085002)
Image: Sven Hagolani/ƒStop (693016)
Image: ƒStop (020023)
Rememberability: Quite a few kids in school would rather doodle the logos of their favorite bands and sports teams than pay attention to their teachers. As a designer, you need to give these kids a hand! Design team identities that are unique enough to stand out from the competition, but easy enough for 11-year-olds to draw.
Sports logos are something that fans of all ages identity with. Here is an opportunity to design a feeling – go ahead and try letterforms that are ornate or complicated. When it comes to sports, relying on tradition can be helpful, too. Fans will remember the style of lettering on their team’s championship-winning uniforms decades later. Script typefaces are a natural choice for team logos – especially in baseball – but can appear too nostalgic for some other sports. Big, chunky angular type is a perennial favorite. Whatever you select, make sure that it has individual and memorable shapes.
Clarity: When it comes to player identification, clarity is important; referees, announcers and fans all need to be able to see the names and numbers on player uniforms clearly. These can take a different style from a team’s logo. Since the playing field isn’t an immersive reading environment, using all-caps text is OK. Remember, though, that uppercase letters are less differentiable than lowercase – no one wants to mix up names like KAHN and HAHN. Selecting type families that include multiple widths may be helpful, too, as the same team might have players with both long and short last names: BECKENBAUER and PELÉ, for instance.
A low-contrast sans serif, slab serif or semi-serif family is almost always going to be the right way to go. Multiple width-options are more important than having multiple weights, but two or three levels of stroke thickness to choose from is never going to be a bad thing.
Dynamism: The right typefaces for sports usages should look ‘fast’. Even though it is a bit cliché, picking styles that are slanted or italicized is a still good shorthand for speed. Some sporting events have other iconic elements that typefaces can play off of: simple, light geometric forms combine well with the Olympic rings, and typefaces with round letters allow for gimmicks, like substituting various balls for letters like the O.
As is mentioned above, typefaces with clear, hard-working forms lend themselves well to many different kinds of sports. Picking fonts that are part of larger families gives you access not just to multiple widths or weight, but may offer you dynamic italic or oblique styles, too. Make sure to look at all of the fonts in a family when comparing different typefaces.
Have a browse of all our Collection Tier typefaces suitable for sport. Which ones are your ‘Olym-picks’?
About our Collection Tier
Our Collection Tier FontFonts are a selection of cost effective typographical treasures offered as full-families. All packages are available in OpenType with Standard language support (with a few key exceptions) and are all affordably priced under €/$ 100 each.permalink
Every now and then we are asked for typefaces containing alternative characters – the first letter of the alphabet is especially interesting in this respect as the Latin script knows two forms of the lower case a: the double-storey a is one of the most distinctive letters in a typeface while the single-storey a is rather neutral and decent. So you can considerably change the character of a typeface by simply swapping just one letter.
Thanks to OpenType both forms can be contained in one font and the user can easily switch between the two forms (in applications that support OT layout features, like Adobe’s Creative Suite for instance). Many of the innovative FontFonts offer this opportunity:
- FF Advert
- FF Basic Gothic
- FF Chambers Sans
- FF Dagny
- FF DIN Round
- FF Duper
- FF Jackie
- FF Karbid Slab
- FF Karbid Text
- FF Lance
- FF Nuvo
- FF Nuvo Mono
- FF Profile
- FF Schulbuch Nord
- FF Super Grotesk
- FF Unit
- FF Unit Rounded
- FF Unit Slab
- FF Utility
- FF Zwo