News: Tagged as FF Dolores

Best Collection FontFonts for advertising and packaging

Our Collection Tier are affordable hidden gems, containing one family (sometimes more) at one very reasonable price under €/$ 100 each! Over the past few months, we’ve brought together a round up of our favorite picks and some tips for a particular intended use.

As mentioned in our previous post, making your mark in today’s brand saturated world is not always easy. A corporate identity often has to be many things at once: useable, memorable and interchangable. So when it comes to packaging and advertising for your brand, how can you balance the right amount of ‘look-at-me’ to make it stand apart without losing the brand voice? In this month’s installment of our Collection FontFont series, we bring together our top tips and FontFonts from the Collection Tier suitable for advertising and packaging. 

FF Motel Gothic and FF Care Pack

FF Care Pack and FF Motel Gothic

Image: Paul Hudson/fStop (793034)

FF Maverick

FF Maverick

Image: Angelo Stitz

FF Clair

FF Clair

Image: Halfdark/fStop (450017)

FF Sale

FF Sale

FF Matinee Gothic, FF Golden Gate Gothic and FF Catch Words

FF Catch Words, FF Matinee Gothic and FF Golden Gate Gothic

Image: Larry Washburn/fStop (1129036)

FF Dolores

FF Dolores

FF Jambono

FF Jambono

FF District

FF District

Large. In this category, type is often set very large. While your selections don’t have to be too thick or heavy, they should ‘fill the space’ well. Letters that are a little condensed, and which you can set tightly, are a good bet. They’ll help you fit more text on a line and still pack a punch.

Attention. These typefaces are made for selling. Choose one whose letterforms are individual; your advertising and packaging should grab attention. Keep an eye out for what your competition is doing, though – you don’t want your products to appear interchangeable.

Multilingual. Not all of the text on packaging is meant to immediately call attention to itself. Lists of ingredients or instructions are a vital part of a package’s design, even if they aren’t one of the first elements noticed. Depending on where your products are sold, you may need to print this information in multiple languages, too. Make sure to select fonts that have the corresponding glyph ranges in their character sets.

About our Collection Tier

Our Collection Tier FontFonts are a selection of cost effective typographical treasures offered as full-families. All packages are available in OpenType with Standard language support (with a few key exceptions) and are all affordably priced under €/$ 100 each.

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Massive update of our In-Use images

We are sure you haven’t overlooked our in-use gallery on every family page. But what you may not have noticed is that this key feature of our site has just received a massive update. We recently uploaded over 2000 images representing almost every FontFont in our library, and will continue to upload more in the coming weeks.
 
So just browse on over to your favorite FontFont and get inspired by the in-use images to the right of the font’s description. The images offer you a peek at what is possible using a specific FontFont and explain how others have used that particular typeface on their projects. Most images even include a description and the designer’s contact information in case you’d like to hire them for your next project.
 
FF You Can Read Me in use

FF You Can Read Me in use: Album cover DJ Slouch – Travels

FF Typeface Six in use

FF Typeface Six in use: Album cover Shipstad & Warren – Sex, Lies and Melody (Songbird/Black Hole Recordings)

FF Quadraat in use

FF Quadraat in use: Book cover Jules Verne – 20000 Meilen unter dem Meer (Fischer Klassik)

FF Dolores in use

FF Dolores in use: Book cover Mauri Kunnas – Hier kommen die Wikinger! (Oetinger Verlag)

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New release: FF56

FontFont designers have been recipients of prestigious type design awards, but few can claim to have been even before their creations were officially published. Ludwig Übele’s FF Tundra — a recipient of a Certificate of Excellence in Type Design at this year’s TDC2 competition — is now available for licensing. Other new releases are Jörg Hemker’s versatile sans FF Sero; the informal cousin of the popular FF Mister K; a monospaced variant for FF Nuvo; and stencil versions for the Danish sans/serif type system FF Signa.

The new designs

FF Sero

FF Sero

FF SeroJörg Hemker’s versatile sans FF Sero combines the striking forms of an American grotesque with the legibility of a humanist sans serif typeface. It has open contours, a distinct x-height and a homogeneous grayscale value. During seven years of development the classic letter forms have matured into a balanced, sovereign typeface. Eight harmonized weights and an extensive character set allow for a flexible and versatile typography. Cyrillic and Greek characters provide an extended language support.

For a limited time, FF Sero Medium is available for free download in OT, Offc and Web formats. Download it on the Goodies page.

FF Tundra

FF Tundra

FF TundraLudwig Übele’s award-winning design FF Tundra is a narrow serif typeface with stressed forms and soft contours. The idea evolved from investigating how a narrow typeface should look for optimal readability. To avoid a fence-effect, FF Tundra emphasizes the horizontal line. Ludwig Übele combined strong serifs, flat shoulders (see n) and open but heavy endings (see a, e, c) with a moderate contrast to achieve a balanced, legible typeface with a certain softness and humanity. FF Tundra has been designed for continuous text, but is also suitable for magazines and headlines (especially the Extra Light) and will surely work in newspapers as well. The family consists of six weights from Extra Light to Bold, each with Italics and Small Caps and many OpenType layout features.

FF Mister K Informal

FF Mister K Informal

FF Mister K Informal – This new design by Julia Sysmäläinen is the latest offspring of the FF Mister K font family. It began in one of Kafka’s Quart Notebooks with handwritten texts that look astonishingly clear. The letter forms are carefully placed line after line but still reveal the author’s characteristic writing style. There is a simple explanation: These are final, rewritten texts. The first version — loaded with heavy editing and correction marks — can be found elsewhere in Kafka’s literary remains. The strong personality of FF Mister K is often appreciated, but some designers find it too unpredictable for down-to-earth target groups. So enriching the K Family with a clear, friendly looking member derived from Kafka’s stylistic repertoire seemed predestined by the users’ needs.

FF Nuvo Mono

FF Nuvo Mono

FF Nuvo MonoSiegfried Rückel expands his magazine typeface FF Nuvo with a monospaced variant for all weights, including Small Caps and Italics. This offers new options for traditional and unusual designs. The design retains its stroke endings with “chipped” corners, which make them appear soft when seen from a distance or in small point sizes, but reveal their peculiar forms at a closer look. However its x-height was lowered somewhat in comparison to FF Nuvo to emphasize FF Nuvo Mono’s typewriter character. The calligraphic touch in the characters a, g and y make this typeface stand out among other typewriter-like faces, as do the alternate characters for a, g, k, s and y, which add typographic versatility.

FF Signa Stencil/FF Signa Serif Stencil

FF Signa Stencil

FF Signa Stencil/FF Signa Serif StencilOle Søndergaard’s stencil faces can be used to produce actual stencils, but more often than not they are selected for their unique aesthetic. It is fascinating to see how separate “floating” fragments combine to form recognizable character shapes. The way those letters are cut up gives a stencil design its specific character. FF Signa — a typically Danish typeface — is rooted in architectural lettering rather than book typography. This sans serif of concise letter forms and a minimum of detail joined the growing collection of sans/serif type systems when the serif variant was added in 2005. Now both versions are available as stylish stencil designs.

Updated and extended FontFonts

FF Info

FF Info

FF Info Text, FF Info Display, FF Info Correspondence ProErik Spiekermann’s and Ole Schäfer’s FF Info Office is the typeface Erik Spiekermann himself feels should be more popular “because it works well on screen and is really cool but nobody has found it behind the larger FF Info Text and Display families.” It has been renamed FF Info Correspondence to avoid confusion with the Office font format. The complete FF Info family, one of the best wayfinding type systems, has now been upgraded to Pro language support and has been carefully fine-tuned.

FF Profile

FF Profile

FF ProfileMartin Wenzel’s FF Profile is one of the more beautiful humanist sans serifs in the FontFont library. This clear, uncluttered and attractive family based on the broad-nibbed pen was already available in OpenType Pro format. Its character set was expanded to include Greek.

New Offc and Web FontFonts

FF Dolores
FF Dolores (Tobias Frere-Jones)

FF Gothic
FF Gothic (Neville Brody)

FF Kipp
FF Kipp (Claudia Kipp)

FF OCR-F
FF OCR-F (Albert-Jan Pool)

FF Sari
FF Sari (Hans Reichel)

FF Utility
FF Utility (Lukas Schneider)

FF Zwo
FF Zwo (Jörg Hemker, Henning Krause)

FF Zwo Correspondence
FF Zwo Correspondence (Jörg Hemker, Henning Krause)

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New release: FF48

BERLIN, GERMANY, April 2009 — FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.

The new FontFonts

FF Dingbats 2.0 OT — The original FF Dingbats font package was designed in 1993 when there was no other symbol font available except Zapf Dingbats. The FF Dingbats package was the first with some 800 symbols and icons from the world of modern communication: faxes, ISDN, disks, keyboards … all absolutely usable. But over the following years times have been changing and quite a lot of pictograms for office communication are no longer needed – no-one uses floppy disks nowadays – or simply changed their appearance, so Johannes Erler and Henning Skibbe started a complete redesign two years ago.

FF Dingbats 2.0 OT

All pictograms have now been revised and adjusted according to the current stylistic vocabulary. Arrow and number fonts have been reworked and extended as well. All symbols have been sorted into clear categories, and the font “Strong Forms” includes the most needed symbols in a bolder version. Besides this, many symbols can be layered and coloured via an easy-to-use layering feature (see FF Dingbats 2.0 info guide PDF). All this makes FF Dingbats 2.0 a state-of-the-art font package again and probably the largest collection of contemporary symbols and icons for office communication.

FF Milo® was started in 2000 with the goal of a compact typeface with very low ascenders and descenders. Because of its compact design FF Milo is a workhorse typeface suitable for magazine and newspaper typography. It has modern bones with a touch of detail for distinction (especially in the italics). The name Milo is from a resilient grain and that's why the designer chose this name for the typeface. He wanted it to be a basic usable font like corn or grain is to any culture.

FF Milo Serif OT

With the help of Paul van der Laan for kerning, spacing and production, Michael Abbink developed FF Milo Serif as a companion to the Sans, but it is also perfectly suitable as a stand alone typeface or used together with any other sans serif typeface. Like FF Milo, FF Milo Serif is a text face with the utmost legibility, perfect for setting newspapers and magazine copy. Although rooted with historical attributes it is truly a contemporary face. FF Milo Serif comes with SC, TF, OSF, LF as well as a wealth of ligatures. Like the Sans, FF Milo Serif is also a resilient grain!

FF Seria Arabic

FF Seria® Arabic, originally called Sada, by designer Pascal Zoghbi, is an Arabic type companion to FF Seria, designed in the nineties by Martin Majoor. The Arabic type family was part of the Typographic Matchmaking 01 project organised by the Khatt Foundation. Echo, which means “Sada” in Arabic, is the repetition of a sound caused by the reflection of sound waves from a surface. Accordingly, Sada/Seria Arabic is the echo of FF Seria. FF Seria Arabic is a young crispy type based on the Arabic Nasekh style. The Regular and Bold are text typefaces, the Light is both display and text type, while the Black is purely a display typeface.

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