News: Tagged as FF DIN Round

IE10 unlocks CSS OpenType features for Webfonts

With Mozilla’s Firefox and Microsoft’s upcoming Internet Explorer 10, a significant step has been taken toward widespread OpenType feature support, which allows for things like discretionary ligatures in text and contextual alternates in display. Now with standards solidifying, a level of typographic sophistication previously unachievable anywhere will soon be realized. Ushering in the new browser, we share this demo page with live examples of OpenType features at work. (Note that unless viewed in IE10 or a recent version of Firefox or some other new-ish Mozilla browser, the demos won’t make much sense.)

We move ahead now to take a closer look into each of the examples, and discuss what’s required before we can get started taking full advantage of this new ability. Contextual Swashes: FF Nexus Serif

Contextual Swashes | FF Nexus Serif Italic is the most comprehensive font of the FF Nexus Superfamily, containing beautiful sets of swash letters for the beginnings and ends of words. Thanks to the Contextual Swashes feature, the swash variants of the letters appear automatically in the appropriate positions (as opposed to the “regular” Swashes feature, in which you would have to decide yourself which letters should be swashed).

 Stylistic Sets: FF Unit

Stylistic Sets | FF Unit holds the library’s record for Stylistic Sets: It has a whopping 14 sets to tailor the look of selected letters to your needs. (39 OT Features in total!)

Contextual Alternates: FF Mister K

Contextual Alternates | FF Mister K isn’t available as a Web FontFont yet, and if you switch off the Contextual Alternates feature on the demo site you’ll see why: It just makes no sense to use it without the connections and letter variants that give FF Mister K its special look.

Small Caps: FF Ernestine

Small Caps | FF Ernestine is one of the few FontFonts containing two sets of small caps: Small and Petite Caps (the only other Petite Cap FontFont being FF Atma Serif). While Small Caps are available as separate Web FontFonts now, Petite Caps only become accessible through browser OpenType feature support.

Discretionary Ligatures: FF Milo Serif

Discretionary Ligatures | FF Milo Serif is one of the FontFonts that go wild with extravagant ligatures.

Oldtyle Figures: FF DIN Round

Ligatures: FF Tartine Script

Oldstyle Figures and Ligatures | FF DIN Round and FF Tartine Script can actually look like this on your website right now! Unlike the other features shown above, Oldstyle Figures and Ligatures are included (if available in the design) in all WOFF Web FontFonts today. There’s one more feature we didn’t even mention on the demo page: The Kerning feature is activated for the whole demo page. It is most noticeable in combinations like “We” and “y.”, which just look more even with kerning. This feature is included in the current WOFF Web FontFonts and is applied automatically by some browsers.

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The a|ɑ-Team

Every now and then we are asked for typefaces containing alternative characters – the first letter of the alphabet is especially interesting in this respect as the Latin script knows two forms of the lower case a: the double-storey a is one of the most distinctive letters in a typeface while the single-storey a is rather neutral and decent. So you can considerably change the character of a typeface by simply swapping just one letter.

a-Alternatives

Thanks to OpenType both forms can be contained in one font and the user can easily switch between the two forms (in applications that support OT layout features, like Adobe’s Creative Suite for instance). Many of the innovative FontFonts offer this opportunity:

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Shift

To interpret this year’s TYPO Berlin conference motto, SHIFT: We’ve created four short videos showing FF Cocon, FF Info, FF Tisa, FF DIN Round and FF Kava – shifting, of course …

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New release: FF53

BERLIN, GERMANY, June 2010 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.

The new FontFonts

FF Amman came into existence as Yanone’s graduation project at Bauhaus University in Weimar, Germany. In late 2008, Yanone set out to Amman, the capital of Jordan, following an invitation by Ahmad Humeid from the local design and branding office Syntax. They were to re-brand the capital’s municipality in preparation of Amman’s centennial celebrations.

FF Amman Sans Pro

First and main part of Yanone’s diptychon »Amman The FFilm« about the making of the FF Amman typeface for Jordan’s capital on occasion of its centennial celebrations in 2009. 

Never officially commissioned as a custom typeface, it was rather a birthday present from Syntax and Yanone for Amman, and the perfect university graduation project for Yanone. In the end, the typeface with several typographic novelties has been widely used for all kinds of municipal services in Amman. The family consists of seven sans and four serif weights, each with their true Italics and both Latin and Arabic character sets. It is one of the largest bilingual families ever made, one of the few designed bilingually from scratch and the first containing true Arabic Italics.

FF DIN Round Pro

FF DIN Round — This welcome addition to FontFont’s most popular family brings a softness to FF DIN’s simplicity and industrial sterility. FF DIN Round is more than a “search-and-replace” rounded version of its predecessor. Albert-Jan Pool and his team redrew each letterform to maintain the structure of the original. This ensures FF DIN and FF DIN Round will work well together in logos, slogans, price tags, etc. as compatible parts of advertising campaigns and corporate identities.

FF DIN Round is not only a good companion to FF DIN, its smooth and friendly curves make it work on its own for branding strategies for family cars, bikes, household appliances, sportswear, shoes, or medical products. It’s also very legible on screen.

FF Suhmo Pro

FF Suhmo is inspired by classic Egyptian and typewriter fonts such as Courier and American Typewriter, which feature headline and text use. This impressive duality was Alex Rütten’s guideline for the concept of FF Suhmo. At the same time, many formal details were derived from the typical neon-lettering you can find on aged Italian restaurants in Germany. FF Suhmo has short ascenders and descenders and a generous x-height, making it a good choice for editorial design. It combines simplicity and functionality with playfulness, offering interesting details such as loops and swashes and a slight stroke contrast. Its varied details are unobtrusive in text sizes while developing character and sparkle in headlines.

FF Suhmo’s extensive character set includes numerous special characters and ligatures, several figure sets and small caps throughout all styles. The family consists of 4 weights: Light, Regular, Bold and Black, each with an Italic. The weights were staggered to complement each other within a layout, the Black corresponding to the Regular and the Light corresponding to the Bold weight, allowing words or phrases to be clearly stressed within a text. The Italics are lighter than the Roman and have a relatively slight angle of slope. The forms are derived from a manual writing process and often cross the base-line or the x-height.

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