News: Tagged as Annual Report

The FontFont year in 2013

In anticipation of the new year ahead we took a quick look back at the year that was.
Our 2013 went a little something like this:
Annual Report 2013

  • Five new staff members came onboard, reaching a combined total of 1271 years in life (and font) experience. 
  • 50% of us favored the humble bicycle as the preferred method of transport, and of the remaining few, 26% opted for public transport with the rest split evenly between foot and car.
  • We clocked up 50000+ work air-miles, traveling across three continents, exploring 12 cities. We shared, watched, listened and learnt a thousand things or two at 12 different conferences and our fonts now support up to 170 languages. 
  • We created three microsites and five print specimens with altogether 10 different pantone colours in total.
  • 580 tweets were typed and we hit the 26846 followers mark.
  • Four new designers joined the family, seven new typeface designs enriched our library, bringing our tally to 171 designers, 399 families and 2588 fonts in total.


To all our designers and friends, thank you for your creativity, support and mutual love for type.

2013 was a great year.

Here is to an even better one for 2014.

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January 13th, 2014 Comments

Our 2012 Story | Not quite an Annual Report

Our 2012 StoryEveryone has a 2012 story. After all, it was the year the world was supposed to end.

We’re proud to bring you Our 2012 Story, a look back at all things FontFont from the past year. You could call it an annual report but we prefer not to. So sit back, take a moment and enjoy scrolling, sorting and filtering through our highlights from 2012.

Thank you to you our customers, designers and friends for continually supporting, inspiring and encouraging us.

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Not quite an Annual Report

2011 marked the most exciting year in FontFont history. The innovations that we launched this year received a warm welcome in the design and development communities and beyond.

Download our inspiring 52-paged lookback at the highlights of the FontFont year in 2011 (PDF, 9 MB) or browse on Issuu.

The Wonderful World of Web FontFonts

Almost two years after FontFont became the first type manufacturer to release webfonts in the .woff format, the Web FontFont Library has grown into a Library of 3500 fonts. Compatible with more than 96% of all browsers, including Mobile Safari, webfonts are here to stay. Hundreds of websites currently use the popular FF DIN, FF Dax, FF Meta, FF Tisa, as well as many other FontFonts, to set themselves apart with beautiful design.

FontFont set standards not only technically, but also in terms of user-friendliness. Our customers appreciate multiple hosting option. They can host their Web FontFonts on their servers, or for those who prefer subscription services, our cooperation with Typekit offers a safe and easy-to-use alternative. Web developers enjoy designing offline mockups and webpage layouts with Comp fonts, packaged with webfonts at no additional charge.

In 2011, we also improved the magical FontFonter service. With the help of FontFonter.com users can test-drive a large selection of Web FontFonts on any HTML site. To date, 42 sans serif and 22 serif families are available to preview in various combinations.

Subsetter.com, our online FontFont optimizer, which debuted in July, also gained a lot of popularity. Using Subsetter, FontFonts can be individually rebuilt, both in terms of file size as well as aesthetics. For instance: When you want to use oldstyle figures instead of tabular figures or do not need any language support, you can remove unnecessary characters and reduce the size of the webfont by up to 90%. When several weights are being used, small font files can dramatically lessen the burden of high traffic and speed up the load of the website.

Moving into Mobile

Recently, the mobile apps market became more typographically diverse. FontFont is the first foundry to answer the needs of this market with a customer friendly offer: Mobile FontFonts. They let you break from the mold of rather dull system fonts, with a simple and economical all-inclusive licence.

Amazing Accolades

2011 was also an exciting year for many of our type designers. FontFont designers  received 11 renowned awards in 2011, including those from Type Directors Club, ISTD International Typographic Awards, ATypI’s Type Design Competition Letter.2 and Communication Arts.

Our website FontFont.com, relaunched in April, was awarded, not only with the approval of our customers, but also by the jury of the iF Communication Design Awards (further information will follow soon).

Our founder, Erik Spiekermann, was honored with his home country’s highest distinction in the field of design, the Design Award of the Federal Republic of Germany, for his lifetime achievement.

The Museum of Modern Art in New York acquired 23 digital typefaces for its Architecture and Design Collection. Among them FF DIN, FF Meta, FF Blur and FF Beowolf.

Stellar Staff

For us, this successful year served as an incentive to continue our commitment to being the world’s fastest growing library of contemporary typefaces. No other foundry offers such a high release frequency of quality fonts. With the release of nearly 20 new or extended FontFont Families, we  set the bar high again within the last 12 months. We are particularly proud of the fact that we are typographic home to both established, as well as emerging type designers from all over the world. They often express their enthusiasm for working together with our font technicians.

Our technical experts have performed splendidly once again in 2011: The entire library is now available in OpenType; the most popular FontFonts are available also in Office and, of course, in Web formats. In order to achieve a clearer structure, we split our library in three tiers, which takes into consideration diverse technical and conceptual needs and provides a better perspective to the FontFont Library.

2011 was indeed the most exciting year for us so far. – heavy emphasis on “so far”.

Download our inspiring 52-paged lookback at the highlights of the FontFont year in 2011 (PDF, 9 MB).

 

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