News: Tagged as Albert-Jan Pool
Here’s what we’ve been polishing up lately: a real grotesque in text and headline sizes, a lettering-inspired text face made for long reads, and two new weights atop the popular FF DIN® typeface.
New Release: FF Real™
FF Real began as the voice of Erik Spiekermann’s biography Hello, I am Erik, drawn in just two styles, one for headlines and one for text. Each meaning of the word ‘real’ is employed in labeling this proper, authentic and regal sans, based closely on the original static grotesques of the turn of the twentieth century. Thirteen weights each.
New Release: FF Hertz™
A unique mixture of influences go into Jens Kutílek’s FF Hertz, from superelliptical faces like Zapf’s Melior® to German cartographic alphabets, all following certain modernist instincts. The result is a mighty and versatile text suite in six weights. One feature of note is FF Hertz’s uniwidth design—set text in a heavier weight without reflowing.
New Styles Extension: FF DIN®
The model European industrial sans, Albert-Jan Pool’s FF DIN keeps getting better. This latest update includes the addition of two new weights, Thin and Extra Light, across both condensed and normal widths, and also includes Greek support in the weights where before it was missing.
For about 20 years, Pool has been involved in the development of FF DIN, which today is one of our most popular font families. In 2011 the Museum of Modern Art in New York added FF DIN to its permanent collection further establishing the family as one of the most worldly recognised and respected. He is also responsible for adding FF DIN Round to the family and also created another technically orientated typeface: FF OCR-F.
Pictured here in his country house where he resides with his wife and daughter, we see evidence of Pool’s unabiding love of typography throughout the tasteful rooms. From the rows upon rows of typographic books to quirky and inspirational type design pieces hung about the walls this really is the home of a type fanatic.
FontFonts by Albert-Jan Pool:
The Letter Fountain is a site created to support students and teachers who use the book Letter Fountain. The Letter Fountain is a unique typeface handbook: in addition to examining the form and anatomy of every letter in the alphabet (as well as punctuation marks and special characters), the book cross-references type designs with important works of art and art movements from Gutenberg’s times until today.
Offset is a new, curated collection of extraordinary, engaging imagery from top artists and storytellers around the world. Offset has an exceptional mix of photography and illustration, both commercial and editorial imagery from best-in-class artists who shoot for major advertising clients and world-renowned brands.
The California Sunday Magazine comes from the lab of Pop-Up Magazine. Together they set out to produce unforgettable storytelling from the West Coast of America. The pronounced serifs make Mitja Miklavčič’s FF Tisa Web extremely legible. Its unique details—including slightly exaggerated ink traps and a fairly upright italic—are particularly visible in display sizes.permalink
We are very excited to be sponsoring the 57th annual Association Typographique Internationale conference. ATypI 2013 is taking place in the heart of Amsterdam city on the Dam square October 9–13.
The annual renewal of the international typographic community brings together typographers, type designers, historians, psychologists, programmers and graphic artists of the like.
“Point Counter Point” is the theme for the year, with the speaker bill including Irma Boom, Erik van Blokland, Albert-Jan Pool and Paul van der Laan. Keep an eye out for a few more familiar FontFont faces during the conference.
ATypI Amsterdam opened yesterday and will continue through to Sunday. You can see the full programme lineup here.permalink
Our feet have just about touched the ground since the wonderful whirlwind that was TYPO Berlin 2013 last week. So, we thought we’d share some snippets and snapshots.
Taking place over three days and reaching it's eighteenth year running, this year’s TYPO Berlin was one of the biggest yet with design superstars such as Jessica Walsh, Neville Brody, Albert-Jan Pool and Ken Garland.
This year’s conference also played host to the first ever Type Review that took place on Friday 17 May. Members of our official TypeBoard, Erik Spiekermann, Stephen Coles, Erik van Blokland, Andreas Frohloff, Jürgen Siebert and Ivo Gabrowitsch were let loose on stage to critique, commend and appraise typefaces in public.
We were also delighted to meet up with a number of our FontFont designers who were at TYPO Berlin.
The quality of the speakers was fantastic and highlights included Simon Manchipp and Neville Brody. There was a number of workshops to take part in, including Erik Spiekermann’s print workshop and the Calligraphy and Lettering Workshop by our Head of Type, Andreas Frohloff.
FontFont represents some of the most talented and interesting type designers in the world. And for most of the year, that’s where they are: scattered all over the globe. In celebration of FontShop’s 20th Anniversary, FSI’s Ivo Gabrowitsch took the opportunity of a rare gathering this spring to talk with seven FontFont designers and get their take on their personal history in type design and what’s coming next. These conversations, peppered with insight about the creative process, are a rare look at the faces behind the typefaces.
The first of three FontCasts – published as part of FontShop’s FontCast series – from the day features Michael Abbink from New York City (FF Kievit, FF Milo) and Erik van Blokland from The Hague (FF Trixie, FF Erikrighthand, FF Beowolf).read more
BERLIN, GERMANY, June 2010 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.
The new FontFonts
FF Amman came into existence as Yanone’s graduation project at Bauhaus University in Weimar, Germany. In late 2008, Yanone set out to Amman, the capital of Jordan, following an invitation by Ahmad Humeid from the local design and branding office Syntax. They were to re-brand the capital’s municipality in preparation of Amman’s centennial celebrations.
First and main part of Yanone’s diptychon »Amman The FFilm« about the making of the FF Amman typeface for Jordan’s capital on occasion of its centennial celebrations in 2009.
Never officially commissioned as a custom typeface, it was rather a birthday present from Syntax and Yanone for Amman, and the perfect university graduation project for Yanone. In the end, the typeface with several typographic novelties has been widely used for all kinds of municipal services in Amman. The family consists of seven sans and four serif weights, each with their true Italics and both Latin and Arabic character sets. It is one of the largest bilingual families ever made, one of the few designed bilingually from scratch and the first containing true Arabic Italics.
FF DIN Round — This welcome addition to FontFont’s most popular family brings a softness to FF DIN’s simplicity and industrial sterility. FF DIN Round is more than a “search-and-replace” rounded version of its predecessor. Albert-Jan Pool and his team redrew each letterform to maintain the structure of the original. This ensures FF DIN and FF DIN Round will work well together in logos, slogans, price tags, etc. as compatible parts of advertising campaigns and corporate identities.
FF DIN Round is not only a good companion to FF DIN, its smooth and friendly curves make it work on its own for branding strategies for family cars, bikes, household appliances, sportswear, shoes, or medical products. It’s also very legible on screen.
FF Suhmo is inspired by classic Egyptian and typewriter fonts such as Courier and American Typewriter, which feature headline and text use. This impressive duality was Alex Rütten’s guideline for the concept of FF Suhmo. At the same time, many formal details were derived from the typical neon-lettering you can find on aged Italian restaurants in Germany. FF Suhmo has short ascenders and descenders and a generous x-height, making it a good choice for editorial design. It combines simplicity and functionality with playfulness, offering interesting details such as loops and swashes and a slight stroke contrast. Its varied details are unobtrusive in text sizes while developing character and sparkle in headlines.
FF Suhmo’s extensive character set includes numerous special characters and ligatures, several figure sets and small caps throughout all styles. The family consists of 4 weights: Light, Regular, Bold and Black, each with an Italic. The weights were staggered to complement each other within a layout, the Black corresponding to the Regular and the Light corresponding to the Bold weight, allowing words or phrases to be clearly stressed within a text. The Italics are lighter than the Roman and have a relatively slight angle of slope. The forms are derived from a manual writing process and often cross the base-line or the x-height.read more
BERLIN, GERMANY, November 2009 – FSI FontShop International announced the latest additions to its award-winning FontFont® typeface library.
The new FontFonts
FF Mach™ The very first sketches of FF Mach were drawn in 2004 when a colleague who planned a new Polish magazine about culture and arts asked Łukasz Dziedzic for a logo – there was neither time nor money, so he did it quickly and for free. The logo was met with approval and Łukasz was asked for some sample covers and a few days later for the whole layout – again immediately and free of charge. Łukasz agreed with mixed feelings, thinking this might be a chance to use some of his fonts and even make a new one based on the logo and title graphics. The new font worked well but unfortunately, after the magazine failed three months later, it was never used again until Łukasz decided in 2008 to redraw all the glyphs in order to remove the traces of that speedy work, and in the end he designed a complete new type family with six weights and three widths.
FF Masala™ is as unctuous as a curry sauce with a hint of chili to add zest. Xavier Dupré’s initial idea for FF Masala was to offer a casual Sans matching FF Tartine Script. After rethinking and refining, FF Masala became a truly casual type system with three Sans weights and their Italics plus three powerful Script versions with swashes, right for logos and packaging as well as comics or children’s book covers.