Fitting in perfectly with the look and feel of the Travails Series, FF Quadraat’s latest in-use sees the dystinctive typeface add character to this unique series which provides a multifaceted firsthand perspective on this intriguing time and place.
The initial FF Quadraat serif family combined Renaissance elegance with contemporary ideas on construction and shaping.permalink
As part of the release of FF Quixo we produced these gorgeous notebooks and additional dust jacket which doubles up as a specimen poster for the award winning typeface.
The moleskin size inspired notebook is made up of 32 pages with a luxury textured feel to it. Throughout both the notebook and poster four Pantone colours were used. If you fancy getting your hands on one of these we will be giving them out at TYPO San Francisco and TYPO Berlin!
Dust jacket/specimen poster
FF Quixo notebook frontside with poster wrapper
FF Quixo notebook backside with poster wrapper
FF Quixo notebook frontside
FF Quixo notebook backside
About FF Quixo
“Quixo” is an onomatopoeic exaggeration. If you are a good listener, you will know that the word comes directly from the sound of dipping a brush into a bottle of ink. It is also the sound of that same bottle, dropping on the floor: “Quix-O!!”.
FF Quixo is a tool-based typeface family, based on the contrast of the pointed pen. Conceived from Frank Grießhammer’s graduation project at the Type and Media program at KABK Den Haag, the typeface is rooted in handwriting and explores the concept of increasing tool size in relation to weight. The visual influence of the tool is barely visible in the Regular weight, but more extreme in the Black one. The incorruptible result is a diverse spectrum of 12 styles (6 weights with Roman and Italic in each) suitable for compact and concise passages of text.
FF Quixo plays on various sides of creative type – headline and text, bold and fine. It is a typeface that can show a playful side without looking goofy and is equipped with all the features and considerations necessary to produce complex typography. It feels at home whenever a touch of personality, whim, and symbols are required, but also provides the necessary precision for more functional applications.
The Letter Fountain is a site created to support students and teachers who use the book Letter Fountain. The Letter Fountain is a unique typeface handbook: in addition to examining the form and anatomy of every letter in the alphabet (as well as punctuation marks and special characters), the book cross-references type designs with important works of art and art movements from Gutenberg’s times until today.
Offset is a new, curated collection of extraordinary, engaging imagery from top artists and storytellers around the world. Offset has an exceptional mix of photography and illustration, both commercial and editorial imagery from best-in-class artists who shoot for major advertising clients and world-renowned brands.
The California Sunday Magazine comes from the lab of Pop-Up Magazine. Together they set out to produce unforgettable storytelling from the West Coast of America. The pronounced serifs make Mitja Miklavčič’s FF Tisa Web extremely legible. Its unique details—including slightly exaggerated ink traps and a fairly upright italic—are particularly visible in display sizes.permalink
FF Ernestine has come over all sweet in its latest ‘In-Use’ case as the chosen font for Venco liquorice packaging. Available in several different flavours and styles including sweet, salty, salmiak, soft or tough, these Dutch liquorice treats are perfect for anyone with a sweet tooth!
FF Ernestine was born from the search for a versatile monolinear text typeface whose design could encompass seemingly opposite feelings. Its designer Nina Stössinger wanted to develop a solution that would feel warm, but also serious; slightly feminine, but not too swirly-girly – charming and sturdy at the same time.
We are pleased to announce that the Type Directors Club (TDC) have given recognition to the FFMark.com microsite with a “Certificate of Typographic Excellence” in the TDC Communication Design competition.
Whilst the new FF Mark was formed as a reinterpretation of a classic Geometric sans, FFmark.com was created as a modern design of a digital specimen. Created as part of the FF Mark release the idea behind the site was to replace a standard font sample with something deeper, more interactive, informative and playful.
Unlike a normal font sample FFMark.com provides a greater insight into the capabilities and background of FF Mark. Some of the key features on the site include:
- FreeFönt download
- A new way of comparing weights
- Interactive Type Sampler
- Interactive mockup generator: Test and preview the typeface across
various different media formats and application
- A historical look into classic geometric sans
From here they went on to work with FontFont’s marketing team, fronted by Alexander Roth, to design FFMark.com, utilising an analogue approach of sketches as opposed to designing straight into digital format.
Once the final sketches were complete only then was the final artwork digitalised and passed to the development wizard, Rob Meek who created the site over a period of two weeks.
The sketches below from the early stages of the site design represent only the inventory of elements and features without any serious attempts to design them at this stage and so should be viewed as neither beautiful, nor ugly but simply useful.
Full screen video
Realtime blur/unblur while scrolling
Character set overview
Supported OpenType features
World clock adapts to day and night
Overlay all weights at once
Interactive mock-up generator
Historical essay on geometric sans serifs
Study of possible positions for navigational elements and ideas for interaction with the FF Mark font on the microsite.
Inventory of icons and their possible position.
Navigation is crucial. It took a while until we came up with a satisfactory solution.
Thoughts on the functions of the mock-up chapter.
Overview of the featured elements such as bookjacket, poster, website and a mobile device.
The very first storyboard for the chapters of the microsite and their functions.
Navigation and chapters.
From the beginning it was clear that we wanted provide a powerful type tester which includes sliders for the font size and leading. As well as an image upload feature and a weight overlay functions to compare different individual weights or all at once.
Thoughts on how to present the numeral sets aside from sober overviews.
For people who are interested in using FF Mark on printed matter, a high quality downloadable PDF specimen was created. It provides an extensive overview of all weights and styles.
Ideas for the opening video.
Storyboard for the opening video which was filmed by Max Zerrahn.
Weleda is a multinational company that produces both beauty products and naturopathic medicines. It is dedicated to using entirely 'natural' ingredients and none of their ingredients or products are tested on animals. The company also uses a green energy supplier and are passionate about education for their farmers and their communities. They also abide to fair trade practices and operate in five continents with 20 direct subsidiaries, partnerships in 53 countries, and close to 2,000 employees worldwide.
FF Liant was originally designed for Weleda in 1976 by Ingrid Liche, with one of most notable characteristics being its lively lines, the forms for which are taken from nature, helping further embody the messaging behind the brand.
However in the early 1990s the company divided and gave up its brand name recognition giving Liche the opportunity to distribute FF Liant exclusively via FontFont. Since then she has re-digitized the font, adding several ligatures and expanding the face to a three weight family.
The hottest superfamily of the moment (and the highest climbing in our popularity charts) is the creation of Martin Majoor, the designer of FontFont favourites FF Scala and FF Seria. When Martin designed FF Scala and FF Scala Sans between 1988 and 1994, the idea was to design a serif, humanistic typeface from which a sans serif version would be derived. Martin called it: ‘two typefaces, one form principle.’ This became the basis of his type design philosophy. However ten years later he expanded it to ‘three typefaces, one form principle’, a Serif, a Sans and a Slab – and so the FF Nexus type system was born, consisting of FF Nexus Serif, FF Nexus Sans, the slab-like FF Nexus Mix – plus the additional monospaced FF Nexus Typewriter.
‘FF Nexus is, in my opinion, the best typeface I have created so far,’ says Majoor. ‘With FF Nexus Mix, I introduced a third family member in my type design philosophy, and I am happy that this slab version is not a stand-alone typeface; it feels best when accompanied by serif and sans.’
And as one of our top rated ÜberFontFonts, it is clear that FontFont users agree!
Warsaw Autumn Festival 2008 booklet designed by Martin Majoor.permalink
Time is up to enter our competition to win one of 15 copies of the new Karbid: Berlin - From Lettering to Type Design!
Andrea Curtis – Michigan, USA
Eero Antturi – Helsinki, Finland
Étienne Pouvreau – Ocqueville, France
Felix Arnold – Walkringen, Switzerland
Florian Hardwig – Berlin, Germany
Paul O’Rely – São Paulo, Brazil
Nicolas Krizan – Skövde, Sweden
Georg Andreas Suhr – Westbengal, India
Martina Flor – Berlin, Germany
Ralf Zeigermann – Brussels, Belgium
Scott Maurer – Madison Wisconsin, USA
Peter Presseg – Vienna, Austria
Stephan Wilke – Berlin, Germany
Slávka Pauliková – Amsterdam, The Netherlands
Shtiliana Andonova – Krumovo, Bulgaria
All of our lucky winners will be notified and can look forward to receiving this beautiful book by post.
Published by Ypsilon Éditeur in trilingual (French, English and German) format, the Karbid book is a text and pictorial archive telling the complete story behind Verena Gerlach’s typeface FF Karbid that also pays homage to the history of German lettering and the letter paintings of Berlin.
Once again thanks to all those who took part, it was fantastic to see what lettering in and around your city inspires you!permalink
Seen here in his stylish city apartment we get a real insight into Jörg’s world and what makes him tick. Much like his two typefaces, FF Sero (one of our top selling font families) and FF Zwo, Jörg’s apartment is contemporary, neat, constructivist and yet functionable. The use of strong colours compliment one another on a background of white simplicity, suggesting an ordered and yet well thoughtout playfulness to this modern living space.
In anticipation of the new year ahead we took a quick look back at the year that was.
Our 2013 went a little something like this:
- Five new staff members came onboard, reaching a combined total of 1271 years in life (and font) experience.
- 50% of us favored the humble bicycle as the preferred method of transport, and of the remaining few, 26% opted for public transport with the rest split evenly between foot and car.
- We clocked up 50000+ work air-miles, traveling across three continents, exploring 12 cities. We shared, watched, listened and learnt a thousand things or two at 12 different conferences and our fonts now support up to 170 languages.
- We created three microsites and five print specimens with altogether 10 different pantone colours in total.
- 580 tweets were typed and we hit the 26846 followers mark.
- Four new designers joined the family, seven new typeface designs enriched our library, bringing our tally to 171 designers, 399 families and 2588 fonts in total.
To all our designers and friends, thank you for your creativity, support and mutual love for type.
2013 was a great year.
Here is to an even better one for 2014.