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Based in London, Erased Tapes Records is an independent record label with a specific interest in releasing avant-garde music. With a roster of contemporary classical music composers, including musician of the moment Nils Frahm, Erased Tapes is a melting pot of brilliant innovative and imaginative musicians.
PONS.eu is the free online dictionary by Stuttgart based PONS Publishing. Dictionary users can consult 12 million words and phrases in 12 different languages including German, French and Spanish. Jörg Hemker’s FF Sero Web with its legibility of a humanist sans serif typeface, versatility and flexibility fits well within this international reaching site.
Umweltbundesamt (UBA) is Germany’s Federal Environmental Agency. Operating as the country’s main environmental protection agency, the UBA is responsible for providing German citizens with a healthy environment in which to live in. The use of FF Marselis and its humanistic forms for the UBA logo embodies the humanist interests of the agency perfectly. Whilst the use of one of the most popular typeface of the computer era, FF Meta Web and its newer counterpart, FF Meta Serif Web, create a reassuringly familiar yet fresh feel.permalink
Seven days into 2014 and we’ve already received an award!
Originally drawn as a graduation project, FF Dora was designed by editorial and book designer Slávka Pauliková. It is a strong-willed type family consisting of five styles: Regular, Italic, Bold, Bold Italic and Display. Based on a detailed study of today’s handwriting styles it focuses on transforming handwritten shapes into a serif text typeface.
As a major competition with around 1800 entrants, inclusion is one of the most-coveted awards in the typographic industry. Receiving recognition for one of our fonts in the 2014 Annual is a great way to start the year!
Previous FontFont winners of the Communication Arts Typographic Annual include:
- Felix Braden’s dynamic and lively FF Scuba
- Nina Stössinger’s warm yet serious FF Ernestine
- Mitja Miklavčič’s soft and friendly FF Tisa Sans
- Max Phillips’s elegant workhorse, FF Spinoza
- Jörg Hemker’s matured and balanced, FF Sero
- Łukasz Dziedzic’s sturdy serif superfamily, FF More
To celebrate the recent release of the book Karbid: Berlin—From Lettering to Type Design, we have 15 copies to giveaway.
To win: send us a picture of a piece of lettering in your city that inspires you.
Entries close 31st January 2014: 15 winners will receive a copy of the book and submissions will also be featured on our FontFont Flickr page. Winners will be announced on the fontfont.com news page.
Read more about the FF Karbid and the making of the book here.permalink
We are in Hamburg and at home with type designer and creative director Achaz Reuss for the latest instalment of our ‘At Home With’ series. He is one design half (alongside Albert-Jan Pool) behind our bestseller FF DIN and is also responsible for one of our recent Über FontFonts, FF QType.
In green-scape surrounds, this classic modernist home takes on a quiet elegance and understated design sensibility. The beauty is in the finer details and the arrangement of the space and everything within it. Much like his typefaces, it also encompasses a new kind of traditional – an effortless and royal modern kind.
FontFonts by Achaz Reuss:
A few years ago, we in collaboration with Tim Ahrens and FontShop created FontFonter as the first free tool to allow anyone to try and preview webfonts on any website.
With the completely new and more flexible WebFonter, you can now try and test Web FontFonts together with the 15,000+ webfonts available from FontShop.com in any existing site. You can replace headline or body text, specific fonts, or, using custom CSS selectors, anything you want with a typeface of your choosing.
WebFonter can be used during the design and development process – a critical time for font choice. The target website does not need to be publicly accessible in order to test-drive webfonts. This hugely important feature marries well with the current web design trend towards designing directly in the browser.
Available for free as a Chrome extension, browser bookmarklet or by entering a URL directly at webfonter.fontshop.com, this new tool will succeed FontFonter to make the web design process even better and as seamless as possible.permalink
Bench is a new kind of bookkeeper. Ideal for independent businesses, it is a standout in the market as it combines the service of task automation together with an actual accountant or bookkeeper. Simple, strong and contemporary, the versatility of FF Mark combined with the great FF Meta Serif is a terrific pairing for this smart, responsive and modern online business.
SAE IT-systems is one of the leading innovators in the field of substation automation, telecontrol and communal communication in infrastructure applications. Felix Braden’s FF Scuba, a distinctive, clean and flexible contemporary sans, is a fine fit for this community of specialists in energy management.
Earlier this year German brand powerhouses ADAC (Allgemeiner Deutscher Automobil-Club e.V.) and Deutsche Post joined forces to establish ADAC Postbus. Coined as “the bus for Germany”, the ADAC Postbus site is set in Mike Abbink and Paul van der Laan’s contemporary and timeless FF Kievit which has recently been extended with a Slab version.permalink
Our latest release line up features a FontFont newcomer alongside one of our seasoned type pros. Introducing FF Quixo, a brand new design by Frank Grießhammer as well as new weights to the FF Profile family in FF Profile Thin and FF Profile Extra Light by Martin Wenzel.
“Quixo” is an onomatopoeic exaggeration. If you are a good listener, you will know that the word comes directly from the sound of dipping a brush into a bottle of ink. It is also the sound of that same bottle, dropping on the floor: “Quix-O!!”.
FF Quixo is a tool-based typeface family, based on the contrast of the pointed pen. Conceived from Frank Grießhammer’s graduation project at the Type and Media program at KABK Den Haag, the typeface is rooted in handwriting and explores the concept of increasing tool size in relation to weight. The visual influence of the tool is barely visible in the Regular weight, but more extreme in the Black one. The incorruptible result is a diverse spectrum of 12 styles (6 weights with Roman and Italic in each) suitable for compact and concise passages of text.
FF Quixo plays on various sides of creative type – headline and text, bold and fine. It is a typeface that can show a playful side without looking goofy and is equipped with all the features and considerations necessary to produce complex typography. It feels at home whenever a touch of personality, whim, and symbols are required, but also provides the necessary precision for more functional applications.
FF Profile Thin and FF Profile Extra Light are the latest extensions to Martin Wenzel’s popular FF Profile family. Made for legibility, the family of sans serifs unites timeless forms together for a contemporary approach. Where other thin type players stay typically cool, FF Profile Thin and Extra Light manage to maintain warmth with its truly humanist design charm and special stroke endings.
Thinly sliced (at 100pt, the stem weight for FF Profile Thin is 2 points, with horizontal strokes at 1.8 points), the new extreme light weights stand firm and individual at large scales yet are still very legible in smaller sizes. The two new feather-weight faces come with Italics and Small Caps plus Greek and Cyrillic support, making them versatile all-rounders and ideal for flat design (hello iOS) and graphics.permalink
The Serebro Nabora type conference took place this past week in Moscow. In the spirit of the event and as part of our recent Cyrillic updates for FF Mister K, FF Mister K Informal, FF Profile and FF Tisa Sans we asked the designers of these typefaces, Mitja Miklavčič, Julia Sysmäläinen and Martin Wenzel, about their experience with non-Latin extensions, as well as the difficulties they faced in these design processes.
Creativity and communication is always at the FontFont forefront along with the aim to build typeface collections with different styles and purposes. Cyrillic is one of the most used writing systems in the world and the alphabet has been adapted to write more than 50 languages. Of the many scripts in use around the world today, Cyrillic is probably the closest in appearance and structure to Latin, particularly in the case of upright typefaces. For Mitja Miklavčič, the design process was not significantly different compared with his Latin designs, as in the case of FF Tisa or FF Tisa Sans. “The italics were a bit more demanding to draw, and personally I always find kerning in Cyrillic a bit more challenging, too.”
Mitja Miklavčič began the Cyrillic portion of FF Tisa while studying on the MA Type Design course at the University of Reading. “We had some Cyrillic specialists visiting the Department. My initial sketches there were done for the serif part of the FF Tisa family. Although they were over six years old, they were a helpful start for the FF Tisa Sans Cyrillic.”
In contrast to Cyrillic type, Cyrillic handwriting is more abundant in its form variety. Julia Sysmäläinen’s primary challenge while designing FF Mister K Cyrillic and FF Mister K Informal Cyrillic, was how to interpret handwriting typographically. “Like all kinds of handwriting, Cyrillic handwriting can be very expressive. I had to find solutions that suited Franz Kafka’s manuscripts, which were always written in German. For this I studied both historical and contemporary samples of Cyrillic handwriting, asked Russian friends and colleagues to produce samples – and of course, I made many myself. Before 1907, Kafka wrote in a German Kurrent script, and analyzing this was interesting, because some of the letterforms resemble Cyrillic characters. I also found a prominent Russian contemporary with a handwriting style that fits surprisingly well to Kafka’s.”
Julia Sysmäläinen had always planned to make a Cyrillic companion to FF Mister K. “Kafka was strongly attracted to Russia, and he admired Russian writers like Dostoyevsky, Tolstoy and Kropotkin. Soon after the release by FontFont, I made a limited Cyrillic version of FF Mister K Regular to submit to the International Design competition “Modern Cyrillic”, where it received a Certificate of Typographic Excellence. Later, I went at the design more thoroughly, creating extended Cyrillic character sets for both FF Mister K Regular and FF Mister K Informal.”
FF Profile Cyrillic isn’t Martin Wenzel’s first endeavor into this writing system. “In 1992, FontFont asked me to draw a Cyrillic extension for my FF Marten typeface, which made me look closely at the script for the first time. The end result was no masterpiece, but still a good attempt to apply a simple modular concept to a different script. This was before I even studied Type and Communication Design at the Royal Academy in The Hague. With FF Profile’s Cyrillic, I talked with several designers about the script’s challenges in general, as well as specific letterforms. Over time I’ve consulted various books on the subject and completed my own calligraphic trials, which formed the basis for the structure of each glyph. If you can write it, you can draw it!”
Like Martin Wenzel, Mitja Miklavčič also had professional experience designing Cyrillic typefaces. He has previously worked with noted specialists, such as Maxim Zhukov. “I grew up in the former Yugoslavia, so I learned Cyrillic in primary school. Serbian and Macedonian both use Cyrillic. That might also explain why I’ve decided to draw language-specific forms for those two languages as well. I always consult with any other designers, no matter what type of type design project I work on. A few colleagues have become close friends in the process.”
FF Tisa Sans is unique in that it not only includes support for Balkan languages that use the Cyrillic script, but also many Central Asian languages, like Turkmen and Kazakh as well, which are not frequently a part of many Cyrillic typefaces.
While Martin Wenzel and Mitja Miklavčič are not native readers of the Cyrillic script, Russian is Julia Sysmäläinen’s mother-tongue. “I’m the child of a Russian mother and a Finnish father, so I learned both languages during childhood. As a native reader, you grew up with all kinds of Cyrillic texts accompanying your everyday life, everything from shopping lists to letters, notebooks and advertisements. You get a pretty clear feeling of how far and where you can move away from some kind of norm, without your result looking awkward. If the script is new to you, you run the risk of being overcautious, or making naive mistakes.”
In terms of OpenType features and character set size, the Cyrillics of FF Mister K are the most ambitious of FontFont’s new Cyrillic releases. “In Kafka’s manuscripts, readability was not a priority,” Julia Sysmäläinen mentions. “I carried this over into FF Mister K Regular as well. In its Cyrillic version, expressiveness and personality are paramount. Its style is easily readable for people who are at home in Russian and other languages with Cyrillic script, because context makes things clear, but it is not for learners of these languages. FF Mister K Informal Cyrillic is much easier to read, just like FF Mister K Informal’s Latin is. In Cyrillic handwriting some characters – especially д and т – can be written in various ways that do not really resemble one another; these forms can even be mixed within a single word.” This lively mixture is part of FF Mister K’s OpenType features, and it harmonizes well with Kafka’s turbulent manuscripts. FF Mister K Informal is more regularized, to stress readability.
As new communication methods continue to bring the world closer together, great typefaces have grown to speak for more languages and writing systems. FF Tisa Sans, FF Mister K and FF Profile join 30 other typeface families in the FontFont library with Cyrillic support, including FF Dax, FF DIN and FF Meta.permalink
Explore and sample FF Kievit and FF Kievit Slab in full flight at www.ffkievit.com.
To see more, go to our Behance page.